WHAT’S WRONG WITH ANGRY?


Celebration Theatre opens its 29th season, and its first with John Michael Beck as its Artistic Director, with an all-around sensational revival of Patrick Wilde’s What’s Wrong With Angry?, brilliantly directed by Michael Matthews, impeccably performed by a cast of ten, and stunningly designed by some of L.A.’s finest creative talents. Need I say more?
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THE WAR CYCLE: GOSPEL ACCORDING TO FIRST SQUAD


Let’s say you want to tell a gripping, “ripped from today’s headlines” war story—and you’re operating on a tight budget. You can spend $11,000,000 as Kathryn Bigelow did for The Hurt Locker (and that’s cheap for a Hollywood flick).  Or how about this for a suggestion?  For maybe one-tenth of one percent of that budget, you can produce The War Cycle: Gospel According to First Squad, currently generating equivalent sparks at The Powerhouse Theatre. Talk about a no-brainer!
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WEST SIDE STORY


As any Broadway buff will tell you, there’s Broadway pre-West Side Story, and everything else since then.
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KOWALSKI


The year was 1947 and Tennessee Williams, still basking in the success of his New York Drama Critics Circle Award-winning The Glass Menagerie, was hoping to avoid a sophomore jinx with his upcoming A Streetcar Named Desire. Elia Kazan was set to direct, and Jessica Tandy to star as Blanche DuBois, but as yet no one had been cast in the pivotal role of Stanley Kowalski. Producer Irene Selznick was batting for John Garfield, but Williams had his doubts that the film star was right for the part. Then, according to Wikipedia, a virtually unknown actor named Marlon Brando “was given car fare to Tennessee Williams’ home in Provincetown, Massachusetts, where he not only gave a sensational reading, but did some house repairs as well.” Oh, and he got the part.
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THE ALTRUISTS


Nicky Silver skewers liberal do-gooders in his outrageously funny The Altruists, a hilarious confection that kept this liberal do-gooder wannabe in stitches throughout its ninety nonstop minutes of absurdist fun at West L.A.’s Pico Playhouse.
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BOOMERMANIA

Now in its seventh smash North Hollywood month, Boomermania has recently moved to the larger, more stageview-friendly NoHo Arts Center, a 99-seater whose state-of-the-art lighting and sound system make the 1950s-‘80s musical comedy review look and sound better than ever. 

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MY FAIRYTALE


Solvang celebrates its 100th birthday with the American Premiere of a new(ish) musical by Stephen Schwartz of Wicked fame—newish because the Hans Christian Anderson bio-fantasy got its World Premiere six years ago in Copenhagen (to mark the fairy tale master’s bicentennial) and American because the original production was acted and sung in Andersen’s native tongue. Though not on a par with the aforementioned Oztastic megahit, the still highly entertaining My Fairytale benefits from an outstanding cast, breathtaking costuming, beautifully staged production numbers, and a number of instantly hummable Schwartz tunes.
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TARTUFFE (OR THE IMPOSTER)

If like this reviewer you’ve never seen a show at The Will Geer Theatricum Botanicum, then you are in for a treat, particularly if Moliere’s Tartuffe is your first exposure to this rustic gem of a an outdoor theater.

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