DESIRE UNDER THE ELMS


A beautiful young woman marries an elderly widower only to find herself irresistibly attracted to his twenty-five-year-old son, with whom she begins a torrid affair behind her septuagenarian hubby’s back. Wishing to insure that the old man’s property remains tied to wife rather than son, the ingenious beauty connives to conceive a child with her lover and pass it off as her aged spouse’s. Murder ensues.
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DANNY AND THE DEEP BLUE SEA


Several years before Cher responded to Nicolas Cage’s declaration of love with a “Snap out of it!” and a pair of slaps in the now classic romcom Moonstruck, its Oscar-winning screenwriter John Patrick Shanley gained theatrical fame with Danny And The Deep Blue Sea, a two-character one-act “Apache Dance” performed by a pair of protagonists who make Moonstruck’s Ronny and Loretta seem positively angelic by comparison. These two characters, Roberta and Danny, are now brought to vivid, gutsy, mesmerizing life by Juliet Landau and Matthew J. Williamson in Crown City Theatre Company’s stunning revival of the early ‘80s Shanley gem.
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ANGELS IN AMERICA: A GAY FANTASIA ON NATIONAL THEMES


If ever there’s been a reason for Los Angeles playgoers to plan a road trip to San Diego, it’s ion theatre company’s current revival of Tony Kushner’s rarely produced Angels in America: A Gay Fantasia on National Themes, presented in two parts, making for a total of over six hours of thrilling, event-status theater.
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CRIMES OF THE HEART


Having earlier this year joined forces to bring Los Angeles their multiple Scenie Award-winning production of David Auburn’s Proof, Open Fist Theatre Company and Aquila Morong Studio For Actors are reunited once again for a terrific intimate theater revival of Beth Henley’s Crimes Of The Heart.
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THE WEDDING SINGER


The Department Of Theatre And Dance at Cal State Fullerton follows last spring’s Footloose: The Musical with yet another sensational salute to the 1980s, Chad Beguelin, Tim Herlihy, and Matthew Sklar’s The Wedding Singer, an adroitly concocted blend of music, comedy, and ‘80s nostalgia. Utterly delightful from start to finish, this is a “student production” in name only, and one that easily rivals the best our local CLOs have to offer.
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AS IS


The year was 1985 and New York City’s gay male population was gripped by a fear akin to that which the citizens of London must have felt in 1665 at the outbreak of the Great Plague. Only four years had passed since a New York Native news article headlined “Disease Rumors Largely Unfounded” had reassured its readers not to worry about grapevine tales of a so-called “gay cancer.” By 1985, that disease, or more accurately put, that syndrome had its very own acronym, though it was not until that very year that President Ronald Reagan finally said the word AIDS in public. There were 5636 known AIDS-related deaths in the United States in 1985.
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DAVID DEAN BOTTRELL MAKES LOVE: A ONE-MAN SHOW


As a boy growing up in a state whose motto is “If you can catch it, you can fuck it,” young David Dean Bottrell probably never dreamed that he would one day become a successful actor, comedian and screenwriter, pen a monthly column for MetroSource Magazine and write for the Huffington Post, win seventeen awards for his short film Available Men, be one of the stars of the L.A. stage smash Streep Tease, or direct the current Colony Theatre hit Travels With My Aunt. And even if he had dreamed this impossible dream, he probably never would have imagined that just talking about his life on a nearly bare stage would turn into one of Summer 2011’s hottest tickets.
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TRAVELS WITH MY AUNT


Imagine for a moment that Patrick Dennis had met his Auntie Mame when he was well into middle age rather than as a child. Imagine too that this meeting had occurred in the swinging ‘60s instead of the Roaring ‘20s, and that aunt and nephew had been British and not American. Imagine all this and what you’d come up with would be Graham Greene’s Travels With My Aunt, the famed author’s 1969 novel which playwright Giles Havergal adapted for the stage in 1989.  It is this oh-so-clever stage adaptation that Burbank’s Colony Theatre now brings to vivid, imaginative life under the truly inspired direction of David Dean Bottrell.
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