THE COST OF THE ERECTION


Pulitzer Prize nominee Jon Marans plays headily with time and space—and two couples’ lives—in his tantalizingly complex new play The Cost Of The Erection, masterfully directed at Hollywood’s The Blank Theatre by its founding artistic director Daniel Henning.
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THREE YEAR SWIM CLUB


In the time-honored tradition of fact-based underdog sports tales like Hoosiers, We Are Marshall, and the recent Moneyball, East West Players now presents the Mainland Premiere of Three Year Swim Club, Lee Tonouchi’s crowd-pleasing true story of a Hawaiian swim coach and the ragtag band of Maui plantation kids he is bound and determined to send to the 1940 Olympics.
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LITTLE WOMEN


One of the largely unsung Broadway musical treasures of the early 2000s now provides ten of the most talented L.A.-based performers to shine as Musical Theatre Guild presents its concert staged reading of Little Women, with just one performance remaining.
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DISSONANCE


You might expect a look at the behind-the-scenes interactions of a string quartet to provide little food for drama, let alone be the source of not one but two distinct plays world premiering within a year and a half of each other. You’d be wrong.
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MAN OF LA MANCHA


You know from the striking “a cappella” flamenco dance tableau which opens Musical Theatre West’s revival of Man Of La Mancha that you’re in for something special. Then again, with multi-award winners Davis Gaines, Lesli Margherita, and Justin Robertson in the starring roles, Nick DeGruccio directing with his accustomed brilliance and imagination, and choreographic whiz Carlos Mendoza in charge of dance numbers, musical theater aficionados could expect nothing less.
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THE SOUND OF MUSIC


Here’s a question I’d like census takers to ask the next time around. Is there anyone in America who hasn’t seen The Sound Of Music, either its 1964 movie adaptation—the third biggest moneymaker in film history when adjusted for inflation—or any one of a gazillion regional, community, or school productions of the Rodgers And Hammerstein classic?
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OLD WICKED SONGS


No L.A.-area theater has a better track record with two-character “odd couple” plays that Burbank’s The Colony, which over the past half decade has won acclaim—along with numerous awards—for its popular two-handers, including Rounding Third, Trying, Educating Rita, Visiting Mr. Green, and Grace And Glorie. To this list can now be added the Colony’s nigh-on perfect revival of Jon Marans’ 1996 Pulitzer Prize-nominated Old Wicked Songs.
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FINDING FOSSILS


A grown son attempts to reconnect with his crotchety old man in Ty DeMartino’s first-rate dramedy Finding Fossils, a three-actor one-act which transcends soap opera through the playwright’s gift for believable dialog and a trio of superb performances at North Hollywood’s Road Theatre.
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