FIORELLO!
Tuesday, March 13th, 2012
Here’s a trivia question for you: What do these eight Broadway musicals of the 1950s have in common?
Plain And Fancy, Pipe Dream, New Girl In Town, Oh, Captain!, Jamaica, La Plume De Ma Tante, Take Me Along, Redhead, and Fiorello!
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A CHORUS LINE
Monday, March 12th, 2012
The first musical to explore the intimate stories of Broadway’s “gypsies,” 1975’s A Chorus Line forever changed the face of musical theater by revealing the hopes, fears, challenges, and dreams of a dozen and a half young dancers in dialog and song, in addition to dealing with issues of race and sexuality alongside big, flashy production numbers choreographed by the legendary Michael Bennett.
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SWEENEY TODD
Monday, March 12th, 2012
Santa Monica’s venerable Morgan-Wixson Theatre once again stretches the definition of “community theater” with their production of Stephen Sondheim’s Sweeney Todd, proving that there are indeed exceptions to the rule (expressed to me just yesterday by the Artistic Director of one of our leading CLOs) that “community theaters should never do Sondheim.” The Morgan-Wixson not only can do Sondheim, they can do him quite excitingly indeed.
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THE COLOR PURPLE
Saturday, March 10th, 2012
The 2005 Broadway smash The Color Purple now makes its Los Angeles Intimate Theater debut in a production so spectacular that it virtually redefines the term “intimate theater musical.” Brilliantly directed by Michael Matthews and starring as musically and dramatically gifted a cast as you’ll see this year on any stage large or small, this Celebration Theatre production looks to be the Intimate Theater Event of 2012.
FIDDLER ON THE ROOF
Friday, March 9th, 2012
Audience members become residents of the Russian village of Anatevka as Glendale Centre Theatre now presents the 1964 Broadway classic Fiddler On The Roof … in the round.
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CORONADO
Wednesday, March 7th, 2012
Wide shot of dive bar: A young man and woman are seated in a booth. An older couple sits at a nearby table. Two men, one older, one younger, are sitting at another table. An attractive young woman tends bar.
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THE INDIANS ARE COMING TO DINNER
Tuesday, March 6th, 2012
Imagine what might happen if you crossed a screwball comedy clan like the one George S. Kaufman and Moss Hart created in You Can’t Take It With You with the Greekly tragic family Arthur Miller wrote about in Death Of A Salesman. What you’d end up with would doubtless be something quite like Jennifer W. Rowland’s highly original and thoroughly entertaining tragicomedy The Indians Are Coming To Dinner, now getting its World Premiere at Venice’s Pacific Resident Theatre.
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THE SEAGULL
Sunday, March 4th, 2012
I’ll admit it. When I hear the name Chekhov, the first words that pop into my head are dull, somber, and talky. That’s why it’s such a pleasure to report that the Antaeus Company’s revival of Anton Chekhov’s The Seagull not only held my attention virtually throughout, it actually had me laughing more times than I could count. Talky it still may be, with characters often choosing monolog over dialog, but wonder of wonders, Seagull director Andrew Traister and company have brought to life on the Deaf-West stage is indeed the comedy its playwright intended it to be.
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