HELLO! MY BABY

“You Made Me Love You” “Ballin’ The Jack” “I Don’t Care” “If You Were The Only Girl” “Some Of These Days”

Tin Pan Alley circa the 1910s comes to singing/dancing life in Cheri Steinkellner’s World Premiere musical Hello! My Baby, and though its book could use some tweaking to give the tale a more contemporary sensibility, the tuneful confection proves a terrific showcase for its talented cast under Brian McDonald’s spirited direction.
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TWO GENTLEMEN OF CHICAGO


The Troubadour Theater Company is back for more inspired silliness as they take on William Shakespeare’s Two Gentlemen Of Verona, retitled here Two Gentlemen Of Chicago, the better to feature a dozen or so Greatest Hits by the leading U.S. singles-charting group of the 1970s.
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SPRING AWAKENING


Spring has sprung in L.A. big time with the sensational Los Angeles intimate theater debut of Spring Awakening, the Steven Sater/Duncan Sheik musical adaptation of Frank Wedenkind’s groundbreaking 1891 drama.
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SIGHT UNSEEN


There are times when the order in which a writer sequences the scenes of a play or musical can be as crucial to the work’s impact as the scenes themselves. As in Harold Pinter’s Betrayal or Jason Robert Brown’s The Last Five Years, the ordering of scenes in Donald Margulies’ Sight Unseen is of prime importance. Cleverly sequenced in a deliberately non-linear fashion, the eight scenes that make up Sight Unseen keep you thinking, keep you guessing, and may even provoke a gasp of surprise or recognition at key moments.
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AN EVENING WITH PATTI LUPONE AND MANDY PATINKIN


Patti. Mandy. Together. On stage. Live. In concert.
Need I say more?
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A ROOM WITH A VIEW


E. M. Forster’s A Room With A View now comes to glorious musical comedy life at San Diego’s Old Globe Theatre in a World Premiere adaptation by Jeffrey Stock and Marc Acito.
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PARADE


Thirteen years after its Broadway premiere, Jason Robert Brown and Alfred Uhry’s Tony-winning musical Parade at long last gets its first San Diego production—one so superbly staged and performed that it more than justifies a day trip to our neighbor to the South.
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WORKING


Following its critically acclaimed revival of Martin McDonagh’s The Beauty Queen Of Leenane, The Production Company makes it two in a row with its sensational intimate staging of Studs Terkel’s Working, as adapted by Stephen Schwartz and Nina Faso.
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