WHERE THE GREAT ONES RUN
Tuesday, May 29th, 2012
Mark Roberts writes plays about abuse, adultery, addiction, illness, incest, and suicide in the American Midwest, or at least that’s the terrain he covered in Parasite Drag, reviewed here a couple years back. Rogue Machine Theatre produces dark, edgy dramas like Small Engine Repair and Blackbird, which swept virtually every major theater award in town this past year. That’s why Roberts’ and Rogue Machine’s maiden collaboration, Where The Great Ones Run, comes as such a surprise. Though alcoholism, domestic violence, homosexuality, and a rather long bit of full-frontal male nudity would doubtless make this Mark Roberts play rather too daring for, say, Actors Co-op, coming from Rogue Machine, Where The Great Ones Run seems downright sunny, more Horton Foote than Sam Shepard, and if you’re anything like this reviewer you’ll love every minute of Roberts’ only slightly acidic valentine to small-town Indiana life. (read more)
REX PICKETT’S SIDEWAYS THE PLAY
Saturday, May 26th, 2012
Longtime best friends Miles and Jack set off on “the ultimate road trip, the last hurrah” in Rex Pickett’s Sideways The Play, now getting a terrific World Premiere staging by Santa Monica’s The Ruskin Group Theatre Co.
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PANACHE
Friday, May 25th, 2012
Here’s a question for romantic comedy buffs. When is the last time you saw a stage play that drew you into its spell and held you throughout laughter (and a tear or two) to a picture perfect fade-out in the same way that romcom favorites like You’ve Got Mail, While You Were Sleeping, and Notting Hill have been doing for decades on the silver screen. It’s been years since this reviewer (and romcom lover) has seen a comedy as intoxicatingly romantic as Don Gordon’s Panache, now in the homestretch of its six-week run at San Pedro’s Little Fish Theatre. As I write this review, you’ve got only two more chances not to miss out on his romantic comedy gem.
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IT IS DONE
Wednesday, May 23rd, 2012
When a playwright plunks down three strangers in a bar ninety miles from nowhere on a dark and stormy night, it’s a sure bet sparks are going to fly, and fly they do (though probably not as you’d ever suspect) in Alex Goldberg’s edge-of-your-seat thriller It Is Done, now getting its West Coast Premiere at Hollywood’s Pig ‘N Whistle.
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BELLS ARE RINGING
Tuesday, May 22nd, 2012
Tony-nominated musicals of the 1950s fall largely into two categories. There are those that have made such a lasting impression that hardly a year goes by without regional theater revivals galore. Shows like South Pacific, Guys And Dolls, The King And I, West Side Story, Damn Yankees, My Fair Lady, and The Music Man make this list. The rest are mostly long-forgotten chestnuts that nonetheless merit a “concert staged reading” from time to time, if only for nostalgia’s sake. Take for instance Pipe Dream, Redhead, or New Girl In Town.
Then there’s Bells Are Ringing, which in spite of a Tony-nominated Broadway revival in 2001, has largely faded into obscurity despite at least three popular standards (“Long Before I Knew You,” “Just in Time,” and “The Party’s Over”) written by the incomparable Jule Styne, Betty Comden and Adolph Green, and a book that continues to delight five and a half decades later. If ever there were a show in Category B which deserved to be in Category A, Bells Are Ringing is that show, as Sunday’s Musical Theatre West concert staged reading made abundantly clear.
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THE LEARNED LADIES
Tuesday, May 22nd, 2012
Actor’s Co-op stages Moliere’s The Learned Ladies (Les Femmes Savantes) with such panache, you’d think they’d been doing the French master on at least a yearly basis rather than a mere twice in seventeen years.
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DOG SEES GOD
Sunday, May 20th, 2012
Santa Ana’s Theatre Out continues its 2012 season with one of the Orange County LGBT theater’s finest “straight play” productions to date, Bert V. Royal’s Dog Sees God: Confessions of a Teenage Blockhead. Directed by Scenie winner Tito Oritz at his inspired best and featuring a remarkably talented young cast, Dog Sees God is not only must-see theater for avid OC and L.A. playgoers, it ought to be required viewing for students from middle school up. Briefly put, Dog Sees God makes for a hilarious, thought-provoking, and ultimately transformative evening of theater.
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THE CLOSENESS OF THE HORIZON
Saturday, May 19th, 2012
“I got my first real six-string, bought it at the five-and-dime, played it till my fingers bled, was the summer of ’69.”
What would contemporary fiction, drama, music, and art be had the summer of 1969 never happened? Bryan Adams would never have written “Summer Of 69,” nor would Robert Downey Jr. have starred in the movie 1969, nor would playwright Damon Chua have written his recent dramatic fantasy 1969: A Fantastical Odyssey Through The American Mindscape. Summer of ’69 brought us the Stonewall Riots, the release of The Who’s Tommy and Midnight Cowboy, Ted Kennedy’s car crash at Chappaquiddick, the three-day event that was Woodstock, the beginning of the trial of the Chicago 8, and most memorably, the night Neil Armstrong first set foot on the moon.
For playwright Richard Martin Hirsch, Summer of ‘69 was the year he turned 19, the year his alma mater Palisades High School won the Los Angeles City High School Basketball Championship, and the year he and his two best friends from Pali High traveled across the country in a VW bus.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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