PIPPIN


Few musicals lend themselves to as many different interpretations as the Stephen Schwartz classic Pippin. Reprise did it sexy and Chicago-esque some years back; East West Players took an Asian hip-hop approach to the material; Deaf West at the Taper featured not one but two Pippins, one deaf and one hearing; and the recently reviewed Simi Valley Cultural Arts Center revival set Pippin in the world of “Steampunk Carnivale.”

Now, Scenie-winning San Diego Director Of The Year James Vasquez puts his own personal stamp on Pippin for San Diego’s LGBT Diversionary Theater, and trust me, you may have seen Pippin before, even many times before, but you’ve never seen a Pippin like this one.
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XANADU


Playwright Douglas Carter Beane provided a textbook example of how to turn a movie lemon into Broadway lemonade when he wrote the book for the stage adaptation of the turkey known as Xanadu, and lo and behold, one of biggest critical and commercial failures of the 1980s was transformed from flaming flop to fabulous hit!
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EURIPIDES’ HELEN


Take the greatest legendary beauty of the Ancient World, three of Hollywood’s most glamorous screen legends, the splendor of the Getty Villa’s Barbara and Lawrence Fleischman Theater, the prodigious originality of playwright Nick Salamone, the spellbinding music of David O, and the directorial mastery of Jon Lawrence Rivera, mix all of this together, and the result is Euripides’ Helen, Salamone’s clever, mesmerizing, and oh so entertaining adaptation of the 412 BC play of the same name.
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THE WORLD GOES ‘ROUND


A bunch of Kander & Ebb songs assigned to Man 1, Man 2, Woman 1, Woman 2, and Woman 3. That’s pretty much what a theater company gets when Music Theatre International grants it the rights to The World Goes ‘Round, and that’s pretty much what audiences have been getting since the Kander & Ebb revue made its Off-Broadway debut back in 1991. Five singers performing songs from the Broadway classics Cabaret, Chicago, and Kiss Of The Spider Woman and lesser know Kander & Ebb gems like The Rink, The Happy Time, and Woman Of The Year.

Audiences expecting more of the same from Actors Co-op’s intimate-stage The World Goes ‘Round  can instead plan on being bowled away by director-choreographer Robert Marra’s brilliant reconception of the Kander & Ebb revue as a sung-through musical. That’s right. The World Goes ‘Round  is now a bona fide musical, and which manages to tell the stories of seven authentic, distinct, fully developed characters without a word of spoken dialog.
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THE FULL MONTY


Richard Israel’s intimate staging of the 2001 Broadway hit The Full Monty is so perfect on just about every level that a visit to the Third Street Theatre ought to be required of anyone aiming to produce, direct, appear in, musical direct, or design a 99-seat-plan musical—or by anyone who’s ever foolishly asserted that L.A. doesn’t know how to “do theater.”
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THE COMPANY MEN


With their snazzy business suits and skinny neckties, they might seem at first glance to be a quartet of ad execs straight out of TV’s Mad Men. Place them onstage in front of mikes and backed by a four-piece rock band and they turn into the hot new singing group The Company Men, now wowing audiences in a limited series of Sunday appearances at the Key Club on world famous Sunset Strip.
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A MAN OF NO IMPORTANCE


Performance Riverside introduced its patrons to the musical theater genre known as the Concert Staged Reading in last night’s script-in-hand, one-performance-only “reading” of Ahrens and Flaherty’s A Man Of No Importance. And the result?

A nearly flawless production entirely deserving of its standing ovation.
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FISHING


Playwright David J. Duman has taken his years of toiling in assorted San Francisco Bay Area restaurants and used them as food for laughter in Fishing, his sexy, spicy, fly-on-the-wall look at the staff and customers of a trendy seafood eatery, now getting its first Los Angeles production at Downtown L.A.’s Archway Studio/Theatre.
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