THE WOMEN OF LOCKERBIE
Tuesday, July 31st, 2012
The facts are cut and dry. On December 21, 1988, PanAm Flight 103 from London to JFK exploded above the village of Lockerbie, Scotland, scattering bodies and debris over 845 square miles, a terrorist bomb hidden inside its front cargo space not only killing all 259 on board but ending the lives of 11 Scots going about about their daily lives in Lockerbie, never suspecting that the sky would soon be quite literally falling upon them. A number of years later, the women of Lockerbie set up a laundry project to wash the 11,000 articles of clothing found amongst the plane’s wreckage, after which the women packed and shipped them to the victims’ families around the world.
Playwright Deborah Brevoort takes these facts and puts a human face on them—to unforgettable effect—in her 2001 drama The Women Of Lockerbie, particularly powerful this summer of 2012 as staged outdoors in the rustic Topanga hills of Theatricum Botanicum—about the closest approximation of the hills of Lockerbie that any American audience is ever likely to get.
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THE PARIS LETTER
Monday, July 30th, 2012
Back in the pre-Stonewall decade when Anton Kilgallen and Sandy Sonnenberg were in their twenties, there were basically two choices for big city gay men. Anton opted for the first, living as “openly” as was possible in the underground world of illegal gay bars and private parties. Sandy chose the second, attempting a pseudo-straight lifestyle by marrying someone of the opposite sex and doing his best to repress whatever same-sex urges might threaten to erupt.
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ON GOLDEN POND
Sunday, July 29th, 2012
In the over three decades since On Golden Pond won the Drama Desk Award as Outstanding New Play of 1979, Ernest Thompson’s multigenerational comedy hasn’t lost an iota of its humor or charm, as made clear by its latest revival at Glendale Centre Theatre.
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INCIDENT AT VICHY
Saturday, July 28th, 2012
The mind still boggles and the heart still recoils at the statistics. Nearly 6,000,000 Jews killed, including 90% of the Polish Jewish population, 90% of German and Austrian Jews, and similarly high percentages in the Baltics and Czechoslovakia. If Jews in France fared “better,” with 74% their 350,000 surviving the Holocaust, these figures provided cold comfort to the 90,000 exterminated by the Nazis.
Arthur Miller puts a personal face on a dozen or so of these French victims of Nazi terrorism in his powerful Incident At Vichy, now being revived at the Sierra Madre Playhouse in a proscenium-staged production that comes close to matching what you’d see at the Pasadena Playhouse or any major regional theater, albeit on a smaller scale.
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ALL YOUR HARD WORK
Friday, July 27th, 2012
A decade or so ago, Jim and Mary-Ellen were college lovers, though perhaps not exclusively. Both seemed headed toward success, he in business, she in journalism. Now Jim is racking up those frequent flyer miles, doing business in fifteen cities in ten states, married, the father of a young child, and the owner of a “starter” house he was able to purchase with a $50,000 cash down payment. Mary-Ellen, on the other hand, works 12-hour shifts at Urban Outfitters, lives in a cramped studio apartment, and is just about the only person she knows without a spouse and children, though you could hardly call her celibate …or a teetotaler.
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LA CAGE AUX FOLLES
Wednesday, July 25th, 2012
Jerry Herman and Harvey Fierstein’s La Cage Aux Folles is back, with 1960s heartthrob George Hamilton as nightclub manager George and Broadway’s Christopher Sieber as the fabulously flamboyant Albin, the star of George’s drag show and the love of his life.
ON A CLEAR DAY YOU CAN SEE FOREVER
Monday, July 23rd, 2012
A title that rings a bell for older musical theater buffs, but one that might not be familiar to anyone under a certain age. A score by songwriters whose better known shows keep getting revived and revived, but not this one. Songs that became hits even though the musical they came from did not. A book that, as they say, “needs work.”
It’s precisely for musicals like 1965’s On A Clear Day You Can See Forever that the “concert staged reading” was designed.
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SPRING AWAKENING IN CONCERT
Sunday, July 22nd, 2012
Spring Awakening fans have new reason to rejoice. Just three months after an intimate staging of the 2006 Broadway smash ended its sold-out six-week Hollywood run, the Steven Sater-Duncan Sheik musical returns to Los Angeles for an all-too-brief two weekends a mere six miles away from its Hollywood venue, an all-around sensational “Spring Awakening In Concert” that easily rivals the best of Spring Awakenings before it.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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