SMOKE AND MIRRORS
Tuesday, October 9th, 2012
Autobiographical solo performances may sometimes seem to be a dime a dozen in L.A. (or at the very least during Fringe Festival season), but when was the last time you saw an autobiographical magic show by one of the finest actors in town?
Unless you’ve caught Albie Selznick’s Smoke And Mirrors, the answer is probably “No”—all the more reason not to miss this hour-and-a-half of mysterious card tricks, furniture and humans levitated without a cord in sight, and handkerchiefs turned into birds of many colors, birds, birds, and more birds, enough to fill a mini-aviary, or at least a very large cage. Add to that an otherworldly Oracle (who’d make a terrific stand up comedienne if only she had legs to stand up on instead of just a gigantic, balloon-shaped head), a human-sized bunny rabbit, and a poignant coming-of-age story and you’ve got one uniquely entertaining show, directed with panache by Paul Millet.
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ANYTHING GOES
Sunday, October 7th, 2012
Way back in Broadway’s pre-Oklahoma! days, pretty much all that was required to create a hit musical was a a dozen or so songs (preferably by Cole Porter, Irving Berlin, George & Ira Gershwin, or Rodgers & Hart) and some lively dance numbers (the kind that Busby Berkeley was creating both in New York and in Hollywood). As for plot, three-dimensional characters, or any trace of the dramatic, well who needed those so long as a show’s zany characters made you laugh?
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OVERLOOKED
Saturday, October 6th, 2012
Playwright Brian Nelson skewers the pretentious Ways Of The (Art) World in his acidic new comedy Overlooked, now getting its World Premiere at Orange County’s award-winning Chance Theater.
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LITTLE SHOP OF HORRORS
Friday, October 5th, 2012
The prodigiously talented students of USC’s Musical Theatre Repertory join forces to produce, direct, perform in, and design one of MTR’s absolute best productions to date, an almost perfect intimate theater revival of the Broadway/cult classic Little Shop Of Horrors that more than holds its own against the finest professional productions in town.
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EURYDICE
Wednesday, October 3rd, 2012
Eurydice, Sarah Ruhl’s magical, mystical, poetic retelling of the Orpheus myth from the point of view of his bride has arrived at South Coast Repertory in a production that, in addition to being exquisitely acted and directed, is likely to be remembered as one of the most stunningly designed SCR productions ever.
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SILENCE! THE MUSICAL
Tuesday, October 2nd, 2012
When a flock of musical theater triple-threats adorned with sheep’s ears and hooves blend light-operatic voices to sing out “This is the story of Clarice,” only to be joined by a pantsuit-clad jogger looking like none other than a young Jodie Foster in FBI trainee mode, there’s only one place you could possibly be, whether in New York or L.A., and that’s at SILENCE! The Musical, the “unauthorized parody of Silence Of The Lambs” whose continuing Off-Broadway run has proved so successful that a sister production has now opened in Los Angeles to audience laughter and cheers.
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AMERICAN FIESTA
Sunday, September 30th, 2012
When a self-penned solo performance, the kind that Fringe Festival participants seem ever so fond of, proves so popular that actors other than the original writer get hired to perform it, that’s pretty much a guarantee of something special, or at least this is the case with the Colony Theatre’s latest, Steven Tomlinson’s autobiographical American Fiesta.
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CRAZY FOR YOU
Saturday, September 29th, 2012
Downey Civic Light Opera opens its 2012-13 season with one of its strongest productions in recent years, Crazy For You, the Tony-winning Best Musical of 1992. Winning lead performances by Mishi Schueller and Andrea Dodson, a bunch of terrific supporting turns, and some of the best dancing I’ve seen on the Downey Theatre stage make this a worthy follow-up to last spring’s excellent The Pajama Game.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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