GHOST-WRITER
Saturday, August 25th, 2012
Wikipedia defines a “ghostwriter” as someone who “writes books, articles, stories, reports, or other texts that are officially credited to another person.” Add a hyphen and a “ghost-writer” is something quite different indeed—or so we learn in Michael Hollinger’s Ghost-Writer, now getting a classy West Coast Premiere at Long Beach’s International City Theatre.
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LITTLE SHOP OF HORRORS
Friday, August 24th, 2012
Inspired direction, imaginative choreography, splendid performances, and an in-the-round stage make Glendale Centre Theatre’s revival of the cult musical classic Little Shop Of Horrors one of the very best of the many this reviewer has seen over the past decade.
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THE GRÖNHOLM METHOD
Wednesday, August 22nd, 2012

Catalan playwright Jordi Galcerán casts a cynical, bemused eye on the cutthroat world of international big business in his darkly comedic The Grönholm Method, the most exciting play to make the transatlantic crossing in an English translation since Yasmina Reza’s God Of Carnage stunned Broadway in 2009.
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WAR BRIDE
Monday, August 20th, 2012
When returning WWII G.I. Alvin Rhodes told his mother Catherine he’d be bringing a surprise back to Merced with him, she thought he meant a lovely tea set. About the last thing she was expecting was a Japanese bride. After all, it was only the month before that the “Japs” had surrendered, and as far as Catherine was concerned, they were still our enemy. How dare Alvin play this sick joke on her? How dare he commit treason in this way!
Thus begins Samantha Macher’s highly original and often quite gripping War Bride, now getting its World Premiere production by SkyPilot Theatre, astutely directed and imaginatively choreographed by Nancy Dobbs Owen.
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TICK TOCK BOOM CLAP
Monday, August 20th, 2012
L.A. stage favorites Melissa Fahn and Sam Zeller light up the big screen in Tick Tock Boom Clap, an enchanting movie dramedy that combines the tried-and-true romcom genre with a behind-the-scenes look at what goes into making theater, whether it be a big-bucks Broadway production or a small-potatoes community theater musical like the one around which Tick Tock Boom Clap revolves.
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ARE YOU THERE GOD? IT’S ME, KAREN CARPENTER
Saturday, August 18th, 2012
“Dear God, don’t let New Jersey be too horrible!” prays eleven-year-old Margaret Simon, brand new to the Garden State and worried—like any girl her age finding herself in a new city—about fitting in, making new friends, and the particular challenges of being on the cusp of young womanhood. Easing Margaret’s adjustment to Jersey life are her new best friends Nancy, Gretchen, and Janie, aka the PTSes (Preteen Sensations). As for those love dreams any preteen is likely to have at night, who better to inspire them than neighborhood heartthrob Moose Freed, the first glimpse of whom makes Margaret hear, not bells, but the intro to “(They Long to Be) Close to You,” so that before you know it, Margaret and Moose are duetting the Carpenters classic, mikes in hand?
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GOD OF CARNAGE
Tuesday, August 14th, 2012
San Diego’s Old Globe Theatre stages Yasmina Reza’s Tony-winning Best Play of 2009 God Of Carnage with three graduates of its prestigious MFA program (and a fourth Old Globe favorite) and comes up with a production that easily rivals those which have starred far bigger names.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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