THE SNOW QUEEN


That particularly English form of musical entertainment called “panto” is back for the holidays in Dale Sandlin and Steve Apostolina’s “Frosty Fractured Fable” The Snow Queen, now keeping audiences in stitches at South Pasadena’s Fremont Centre Theatre under the imaginative, effervescent direction of McKerrin Kelly.
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CONEY ISLAND CHRISTMAS


The Geffen Playhouse has begun what could well turn into an annual holiday event with their World Premiere staging of Donald Margulies’ Coney Island Christmas, the Pulitzer Prize winner’s heartwarming, crowd-pleasing look back at a Brooklyn December circa 1935, directed with flair and heart by Bart DeLorenzo.
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MRS. MANNERLY


Playwright Jeffery Hatcher takes a delightful trip down memory lane in Mrs. Mannerly, his staged memoir of an etiquette class he once took under the tutelage of Mrs. Helen Anderson Kirk, aka the Emily Post of Steubenville, Ohio.
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THE EIGHT: REINDEER MONOLOGUES


Chance Theater resident artist Casey Long could hardly have imagined back in 2004 that eight Christmases later he’d be performing in the Ninth Annual Chance production of The Eight: Reindeer Monologues. Yet, miracle of miracles, Casey and the rest of The Eight (reindeer that is) continue shocking and delighting Orange County audiences with year after year of raunchy, R-rated yuletide cheer, written by Jeff Goode (author of the equally adult-themed Poona The Fuckdog And Other Plays For Children).
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LITTLE WOMEN THE BROADWAY MUSICAL


Little Women The Broadway Musical returns to the Chance Theater for the first time since its maiden holiday engagement in 2009, and to paraphrase an Oscar-nominated song, the Chance hit proves even more wonderful the second time around.
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ANGELS FALL


Confine a group of strangers in an enclosed space and what do you get? Jean-Paul Sartre’s existential classic No Exit? Michael Leoni’s smash L.A. hit Elevator? TV’s Big Brother, now in its 14th season?

To this list Los Angeles theatergoers can now add Lanford Wilson’s Tony-nominated (for Best Play of 1982) Angels Fall, now getting a marvelous intimate staging by The Production Company, a 30th Anniversary revival which not only does ample justice to Wilson’s themes but does so in the most entertaining of ways.
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RISE


Take a man and a woman with a shared past, place them in an enclosed space with no intermission to lessen the tension, and you’ve got a recipe for dramatic sparks. Scottish playwright David Harrower did just this in his multiple-Scenie-winning Blackbird, and Cal Barnes follows that example in his Hollywood Fringe Festival hit Rise, currently keeping audiences on the edge of their seats at Elephant Stages.
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CALL ME MADAM


Here’s a question for Los Angeles area musical theater lovers. Of the two Tony-winning musicals of 1951, Guys And Dolls and Call Me Madam, which one have you seen over and over again and which one have you never seen—or at least not until last night at Glendale’s Alex Theatre?

The answer to the second part of the question is, of course, Irving Berlin’s Call Me Madam, the mostly forgotten winner of three Tonys (for Best Score, Best Actress, and Best Featured Actor), a musical gem/chestnut that hundreds of Angelinos got to experience last night in Concert Staged Reading form, thanks to the oh-so talented triple-threats of L.A.’s Musical Theatre Guild.
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