WALKING IN SPACE


Four young adult siblings confront their drug-addicted mother to shattering effect in Walking In Space, Gary Michael Kruger’s powerful, fact-based follow-up to his Best-of-2016 winner A Thorn In The Family Paw.
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THE PROM


There aren’t enough superlatives in the book to describe Simi Valley Cultural Arts Center’s stand-up-and-cheer regional premiere of The Prom, my absolute favorite Broadway musical of the past five years.
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KILL SHELTER: THE BLUE CAST


Not only is Ashley Rose Wellman’s Kill Shelter one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.
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A VIEW FROM THE BRIDGE


Arthur Miller and Santa Monica’s Ruskin Group Theatre once again prove a match made in heaven with A View From The Bridge, magnificently performed in an intimate staging that turns every single audience member into a fly on the wall of this gritty Greek tragedy set on the waterfront of 1950s Brooklyn.
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EXIT WOUNDS


A father at the end of his rope seeks help for his delinquent teenage son from a woman he hasn’t seen in twenty-five years in Wendy Graf’s compelling, cathartic family drama Exit Wounds, now getting an absorbing World Premiere at Long Beach’s International City Theatre.
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HEROES OF THE FOURTH TURNING


If the idea of spending two hours listening to Catholic conservatives inveigh against abortion, LGBT rights, and other left-wing causes sounds off-putting, think again.

There’s a reason why Will Arbery’s Heroes Of The Fourth Turning, now getting an absolutely sensational Rogue Machine Theatre Los Angeles Premiere, was a 2020 Pulitzer Prize Finalist for Drama. There’s a reason why the New York Times called it “astonishing and riveting.”
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THE RED SUITCASE


Growing up gay in the Deep South is no picnic for the protagonist of Jiggs Burgess’s laugh-out-loud funny, get-out-the-Kleenex moving The Red Suitcase, a P3 Theatre Company World Premiere at the Broadwater Mainstage.
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PETER PAN GOES WRONG


The laughs keep coming and coming and coming as the mishaps keep piling up in Peter Pan Goes Wrong, the side-splittingest show to play the Ahmanson since The Play That Goes Wrong had audiences rolling in the aisles four years back.
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