AROUND THE WORLD IN 80 DAYS
Saturday, January 26th, 2013
Imagine you wanted to dramatize one of science fiction writer Jules Verne’s greatest novels, one which imagined a journey around the world circa 1872 in a then unimaginable eighty days with stops in Suez, Bombay, Calcutta, Hong Kong, Yokohama, San Francisco, New York, and then back to London, an adventure that would include dozens of characters along the way, onboard train and ship and atop elephant, and involve a daring rescue, a visit to a Chinese opium den, an Apache attack, and one unexpected delay after another.
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SWEENEY TODD
Friday, January 25th, 2013
Like the Little Engine That Could, USC’s Musical Theatre Repertory’s self-proclaimed “innovative musical theater, for students, by students,” undertakes its most daunting challenge to date, Stephen Sondheim’s epic Sweeney Todd, and comes out with yet another winner.
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CHAPTER TWO
Friday, January 25th, 2013
Love’s more wonderful the second time around for widowed novelist George Schneider in Neil Simon’s Chapter Two, or at least it would be if memories of his beloved late wife Barbara didn’t get in the way of starting afresh with actress Jennie Malone.
Simon’s 1977 gem arrives at Laguna Playhouse as fresh and funny as ever, the absence of the Internet, cell phones, and social media making it a delightful period piece as do mentions of As The World Turns, Merv Griffin, and Fresca.
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WAR HORSE
Wednesday, January 23rd, 2013
Simply put, War Horse is a theatrical experience unlike any other you have ever witnessed. A spectacular, breathtaking work of art that does things usually reserved only for the movies, it had this reviewer gasping in awe and blubbering like a baby. Trust me, you’ve never seen anything like it before.
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110 IN THE SHADE
Monday, January 21st, 2013
Musical Theatre West’s One-Night-Only concert staged reading of 110 In The Shade, the 1963 Broadway musical adaptation of N. Richard Nash’s perennial favorite The Rainmaker, proved an entertaining, particularly well-timed treat for this reviewer, having only one week prior seen the very play which set the musical ball in motion.
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CLYBOURNE PARK
Monday, January 21st, 2013
The 19th Century axiom that “plus ça change, plus c’est la même chose”* could have been thought up to describe race relations in the United States, or at least race relations as Bruce Norris writes about them in his Tony and Pulitzer Prize-winning play Clybourne Park, now getting its first San Diego production—and a splendid one at that—at San Diego REPertory Theatre.
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BOEING-BOEING
Monday, January 21st, 2013
Theatergoers wanting to start off the New Year with a good laugh—or a thousand of them—are hereby advised to head on over to the La Mirada Theatre For The Performing Arts where McCoy Rigby Entertainment is opening its 2013 season with Marc Camoletti’s saucy, sexy French farce Boeing-Boeing.
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YOU’RE A GOOD MAN, CHARLIE BROWN
Saturday, January 19th, 2013
Lucy, Linus, Schroeder, Sally, and Snoopy celebrate the life of a boy named Charlie Brown in the crowd-pleasing musical You’re A Good Man, Charlie Brown, now being given a positively irresistible guest production at North Hollywood’s intimate Theatre Banshee.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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