LADYHOUSE BLUES


Four years had passed since the Equal Rights Amendment was sent to the states to be ratified and three since Roe vs. Wade became the law of the land when Kevin O’Morrison’s Ladyhouse Blues first sent mid-1970s audiences back to 1919, a year after the end of World War I and the watershed year the Senate ratified the Nineteenth Amendment, giving women the vote just as the 1920s began to roar.

Andak Stage Company now revives Ladyhouse Blues under the impeccable direction of Anne McNaughton, offering L.A. audiences an all-around splendid production, one that transports us back nearly a century to the end of a decade in which the times, were (as Bob Dylan was to put it forty-five years later) most definitely “a-‘changin’.”

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RIGHT TOGETHER, LEFT TOGETHER


Longtime friends reunite in New York City for the wedding of Taylor and Zac in Will Collyer & Pamela Eberhardt’s highly promising new musical Right Together, Left Together … if only an impending hurricane and the tiny matter of Zac’s possible same-sex leanings don’t get in the way.
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CAVALIA ODYSSÉO


When was the last time you saw a production which featured 18 equestrians, 23 acrobats and aerialists, and 67 horses (22 stallions and 45 geldings) performing live under a 10-story-high big-top tent smack dab in the center of beautiful downtown Burbank?

Well, if you’re the editor of StageSceneLA, the answer to the above question is “Not until last night,” when the spectacularly one-of-a-kind Cavalia Odysséo opened to a standing-room-only audience dazzled again and again by its myriad of wonders.
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THE GRAPES OF WRATH


For a textbook example of how to turn an epic, Pulitzer Prize-winning novel into a Tony-winning play, and then make it one of the most powerful—and breathtakingly theatrical—productions around town, head on over to Pasadena to catch the gritty magic that director Michael Michetti has conjured up at A Noise Within.
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I’LL BE BACK BEFORE MIDNIGHT

Things do considerably more than merely go bump in the night when Greg and Jan Sanderson leave the big city for life in a haunted country farmhouse in I’ll Be Back Before Midnight, Peter Colley’s Gaslight-meets-Deathtrap suspense thriller now getting a shriek-a-minute Los Angeles Premiere at Burbank’s Colony Theatre.
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WICKED


There are Broadway hits, Broadway smashes, Broadway mega-smashes, and then there is Wicked. Rapidly approaching 4000 performances at the Gershwin Theatre after nearly ten years on the Great White Way…  North American and International productions and tours galore…  And not one but two major National Tours currently visiting cities throughout North America. The Second National Tour* stopped at Costa Mesa’s Segerstrom Center For The Arts two years ago, and now it’s the First National Tour making a four-week visit to Costa Mesa in a production that Wicked fans and newbies will not want to miss. Quite simply put, for song, dance, story, spectacle, and emotional impact, Wicked is in a class all by itself.
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BORN YESTERDAY


Folks had best not try to pull the wool over Billie Dawn’s eyes or they’ll soon discover she wasn’t Born Yesterday—or at least that’s what some Washington D.C. politicos find out the hard way in Born Yesterday, Garson Kanin’s Broadway classic and a terrific season opener for Claremont’s Inland Valley Repertory Theatre.
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A FAMILY THING


Alcoholism, drug addiction, childhood abuse, homophobia, racism, and murder would hardly seem a recipe for laughter, yet despite its dramatic underpinnings, Gary Lennon’s World Premiere A Family Thing turns out to be one of the funniest shows in town. It’s also one of the best acted, and one L.A. playgoers in search of a dark, gritty, yet thoroughly entertaining hour-and-a-half of theater won’t want to miss.
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