COMPANY

“Phone rings, door chimes, in comes company!”

As any musical theater buff can tell you, the person whose phone is ringing and whose door is chiming and who is welcoming company into his Manhattan pad is none other than Robert, aka Bobby, aka Bob, aka Bobbo, aka Robby, aka Bobby Baby, aka Robert Darling, aka Bobby Honey, the bachelor lead of Company, Stephen Sondheim and George Furth’s Tony-winning Best Musical of 1970, and the latest sensational offering by San Diego’s illustrious Cygnet Theatre.
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THE RAINMAKER


You’d think that a play that ran a mere 125 performances on Broadway way back in 1954 would have faded into almost instant obscurity. Not so with L. Richard Nash’s The Rainmaker, which is doing just fine and dandy nearly sixty years later, as The Old Globe’s captivating, innovative revival makes abundantly clear.
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BRENDAN


A young Irish immigrant adjusts to life in contemporary New York City in Ronan Noone’s Brendan, one of the best—and most entertaining and emotionally resonant—plays I’ve seen this past year, now getting an absolutely superb intimate West Coast Premiere at Theatre Banshee.
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TANGLIN’ HEARTS


Ten singin’, dancin’ Texans get their hearts all tangled up romantically in Tanglin’ Hearts, a tuneful new musical “loosely based” on Shakespeare’s As You Like It, now getting a promising World Premiere production at Beverly Hills’ Theatre 40.
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KIMBERLY AKIMBO


Kimberly Levaco is not your average, everyday teenager. After all, how many teens do you know who are saddled with an alcoholic dad, a hypochondriac mom, and a con artist of an aunt? And how many of them suffer from all of the above, plus a body that’s aging at supersonic speed? Sixteen-year-old Kimberly lives her life in the body of someone more than four times her age, someone with a life expectancy of sixteen, give or take a year or so. How many teens do you know who are saddled with that?

Pulitzer Prize-winning playwright David Lindsay-Abaire makes Kimberly the heroine of his funny, touching 2000 dramedy Kimberly Akimbo, the latest offering from The Theatricians, a company of actors whose youth turns out to be the only major strike going against an otherwise excellent production.
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MONTY PYTHON’S SPAMALOT


The hills around Solvang will be alive with the sound of laughter over the next several weeks as PCPA Theaterfest presents their couldn’t-be-better, couldn’t-be-funnier production of the 2005 Broadway smash Monty Python’s Spamalot.
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SHREK THE MUSICAL


3-D Theatricals follows its phenomenal revival of Jason Robert Brown’s deep, dark, fact-based Parade with its polar opposite, the bright, breezy, and entirely fanciful Shrek The Musical, in its own way every bit as triumphant as its extraordinary predecessor.
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LEGALLY BLONDE


Cabrillo Music Theatre now treats Ventura County residents (and SoCal musical theater lovers farther afield) to a sensational staging of Legally Blonde, 2005’s textbook example of how to turn a hit celluloid romcom into a nigh-on-perfect musical comedy, particularly as directed at Cabrillo with assurance and flair by Legally Blonde Broadway vet Tiffany Engen.
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