ME AND MY GIRL


Here’s a Broadway trivia quiz for you. Which of the following musicals ran the longest on The Great White Way: How To Succeed In Business Without Really Trying, Funny Girl, The King And I, Cabaret, Annie Get Your Gun, Kiss Me Kate, The Pajama Game, or Me And My Girl?

If you’re anything like this reviewer/Broadway buff, you may be astonished by the answer. 1986’s Me And My Girl trumps its far better known competitors with a grand total of 1420 performances, just one of many reasons to cheer the arrival of this largely obscure Broadway smash, now smashingly revived by L.A.’s premier theater-in-the-round, Glendale Centre Theatre.
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CLOSELY RELATED KEYS


A hotshot young corporate lawyer discovers she has an Iraqi half-sister from her father’s long ago extramarital relationship in Wendy Graf’s riveting Closely Related Keys, a World Premiere drama as topical as today’s headlines.
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GOING TO ST. IVES


A woman wracked with guilt over the unintentional role she has played in her son’s accidental death. A woman tormented by having given birth to a murderous son. These two mothers meet, with life-changing consequences, in Lee Blessing’s powerful two-hander Going To St. Ives, the latest from Hollywood’s illustrious Actors Co-op.
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MY NAME IS ASHER LEV

“Be a great painter, Asher Lev. It is the only justification for all the pain you are about to cause.”

Chaim Potok’s acclaimed 1972 novel My Name Is Asher Lev has now been transformed into a powerfully performed, deeply moving showcase for three of L.A.’s finest acting talents and one of our best directors at the award-winning Fountain Theater.
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THE RECOMMENDATION


What starts out as an Odd Couple comedy about a pair of mismatched Brown University roommates develops into something considerably more edgy (and edge-of-your-seat) once a third character enters the mix in Jonathan Caren’s The Recommendation, now getting its first Los Angeles production—and its first with a SoCal-based cast—as IAMA Theatre Company introduces L.A. audiences to Caren’s multiple Scenie-winning hit, one guaranteed to keep you guessing from its exhilarating start to its suspenseful finish.

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NOËL COWARD’S BRIEF ENCOUNTER


Married housewife Laura meets married physician Alec when a cinder gets in her eye at a London train station and he kindly removes it for her. Shared tea and conversation in the station tea room lead to another meeting, and another, until Laura and Alec can no longer deny their love, nor the knowledge that as an adulterous middle-class couple living in 1938 London, there is no possibility of a happily-ever-after.

Noël Coward’s Brief Encounter now comes to magical, imaginative, supremely theatrical onstage life as the Wallis Annenberg Center For The Performing Arts presents the Cornwall-to-London-to-Broadway-to-Beverly Hills production of Kneehigh Theatre’s Tony-nominated adaptation of David Lean’s über-romantic 1945 film classic, itself based on Coward’s one-act gem Still Life.
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THE FOREIGNER


A shy, repressed Englishman with the personality of a wet noodle discovers his own inner greatness by pretending not to speak a word of his native tongue in Larry Shue’s The Foreigner, not only one of the 20th Century’s funniest plays, but one of the century’s truly great comedies, one whose revival by Crown City Theatre Company will leave you delirious with laughter and brimming with joy.
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ARSENIC AND OLD LACE


Playwright Joseph Kesselring may have written only one enduring hit in his lifetime, but endure Arsenic And Old Lace most certainly has, its latest revival by Inland Valley Repertory Theatre providing 2014 audiences with as many laughs as must have greeted the black comedy’s Broadway debut back in 1941.
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