THE DIVINERS

It takes guts for a Christian-based theater company to take on a play as dark and as ultimately devastating as Jim Leonard, Jr.’s The Diviners. Then again Actors Co-op isn’t your Garden-Of Eden-Variety Christian-based theater company, and with a mostly God-fearing cast of characters plus a charismatic preacher man in crisis-of-faith mode, The Diviners fits quite neatly into the Co-op’s “The Story Is The Journey” 23rd season.

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A Or B?

Sometimes the course a life takes can depend on something as inconsequential as a cell phone service provider, or so Abby and Ben discover in Ken Levine’s fascinating and funny romantic comedy A Or B?, now getting its World Premiere at the Falcon Theatre.
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PREMEDITATION

Style may not be everything in Evelina Fernández’s Premeditation, but it plays a big part in making the playwright-actor’s comédie noire (or comedia negra) the exhilaratingly theatrical experience it is, and with Premeditation currently Ovation Award-nominated for Best Production, Direction, and Lighting Design, theatergoers can rejoice at the Latino Theater Company’s decision to bring it back as part of the month-long Encuentro 2014 festival at downtown’s Los Angeles Theatre Center. Premeditation is as stylishly directed, performed, and designed a production as you’re likely to see this or any month—and that is saying something indeed.
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RE-ANIMATOR™-THE MUSICAL

Re-Animator™-The Musical has Re-Turned™ for a Re-Peat™ engagement at the Steve Allen Theater, which ought to come as some Re-Ally™ good news for wacky musical theater lovers, lovers of wacky musicals, and a whole bunch of Splatter Flick fans who’d never under any other circumstances find themselves anywhere near a musical theater stage.
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WEDDING BAND: A LOVE/HATE STORY IN BLACK AND WHITE

A World War I-era interracial love story seen through a 1960s Civil Rights Movement lens gets revived for 21st Century audiences as The Antaeus Company presents Alice Childress’s Wedding Band: A Love/Hate Story In Black And White, a compelling, thought-provoking look at how things were, how they have changed, and how much remains the same.
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LITTLE MAN

The much-dreaded, much-anticipated gathering we call the High School Reunion would seem such a surefire source of comedy, drama, and audience empathy that it comes as a surprise how few films and plays have centered on this once-in-a-decade event. Playwright Bekah Brunstetter helps fill this gap in her highly enjoyable World Premiere dramedy Little Man, the latest from The Los Angeles New Court Theatre.
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VENUS IN FUR

Provocative, daring, audacious, intriguing, and sexy as all get-out, David Ives’ Venus In Fur has at long last made it to L.A.-adjacent Costa Mesa following dozens of regional productions, giving its arrival at South Coast Rep bona fide event status. That director Casey Stangl and stars Jaimi Paige and Graham Hamilton deliver the goods … and then some, makes a drive down to Orange County an absolute must for any theater lover worth his or her salt.
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RAGTIME

Well-to-do early 20th-Century White Anglo-Saxon Protestants, their less fortunate African-American fellow New Yorkers, and a gaggle of fresh-off-the-boat Eastern European immigrants collide to life-altering (and occasionally life-shattering) effect in the 1998 Tony-winning musical Ragtime, now being revived by 3-D Theatricals in a production that would do any Broadway theater proud.
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