THE PRODUCERS
Tuesday, March 3rd, 2015
Candlelight Pavilion Dinner Pavilion undertakes one of its biggest and most ambitious musicals to date, Mel Brooks’ multiple Tony-winning The Producers, and the result is another Candlelight crowd-pleaser filled with laughter, music, and dancing galore.
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INSIDE OUT
Tuesday, March 3rd, 2015
Group therapy has never been more entertaining—or more tuneful—than it is in Doug Haverty and Adryan Russ’s 1995 off-Broadway musical Inside Out, back for an all-star 20th Anniversary revival at Burbank’s Grove Theatre Center.
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CLOSER THAN EVER
Sunday, March 1st, 2015
Four of the most gloriously-voiced actor-singers in town, clever musical staging by the Ovation-winning Janet Miller, over two-dozen of Richard Maltby, Jr. and David Shire’s most melodious and insightfully worded songs, and a superbly played 9.5-foot-long concert grand add up to a thoroughly captivating Closer Than Ever at Burbank’s Hollywood Piano. Lighting may be rudimentary, the set may consist simply of a red velvet curtain, four stools, and said piano, and the folding-chair seating as back-challengingly uncomfy as it gets, but oh the performances! Oh the songs!
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END OF THE RAINBOW
Friday, February 27th, 2015
The facts behind Judy Garland’s death on June 22, 1969 are a matter of public record. Several months after a five-week stint at London’s trendy Talk of the Town, the legendary screen/recording star was found dead at the age of 47 by fifth husband Mickey Deans in the bathroom of their rented Chelsea house, the cause of death “an incautious self-overdosage” of barbiturates.
Peter Quilter’s critically acclaimed End Of The Rainbow, now playing at Long Beach’s International City Theatre, lets us be flies on the walls of Judy and Mickey’s London hotel (and of the London nightclub as well) during that much talked about Talk Of The Town run, and a humdinger of a play and production this is under John Henry Davis’ incisive direction.
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THE THREEPENNY OPERA
Monday, February 23rd, 2015
A Noise Within kicks off its Spring 2015 season with a sensationally performed and designed revival of Bertolt Brecht and Kurt Weill’s The Threepenny Opera. Theatergoers who’ve not acquired a taste for Brecht’s brand of early 20th-century avant-garde or Weill’s dirge-like melodies may find its three-hour running time a bit of a long haul, however those with a fondness for Threepenny (and they are, I am told, legion) will find themselves in Brecht/Weill heaven.
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THE OTHER PLACE
Sunday, February 22nd, 2015
Trust nothing you see or hear until about halfway through the riveting, complex puzzle that is Sharr White’s The Other Place, now getting its first Los Angeles production, and a superb one at that, at North Hollywood’s 99-seat-plan Road Theatre.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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