FIGARO

The very first West Coast staging of a 2012 World Premiere may not be what folks expect from A Noise Within given the company’s usual slate of Shakespeare, Shaw, Racine, Moliere, and other long-deceased playwrights, but that is precisely what California’s Home For The Classics now offers its audiences in Charles Moray’s Figaro, the frothiest, funniest, most farcical romp I’ve yet seen at ANW.
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OF GOOD STOCK

“Sisters. Sisters. There were never such devoted sisters,” warbles one of the three female siblings created by playwright Melissa Ross in her crowd-pleasing new comedy Of Good Stock, though considering the squabbling going on in their Cape Cod family home at this weekend’s summer family reunion, “devoted” might not be the first word that comes to mind when describing the oh-so dysfunctionally bound Jess, Amy, and Celia.
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WOLVES

Little Red Riding Hood’s Big Bad Wolf was a mere puppy dog compared to the wolves that roam wild in the big city where ex-lovers/still-roommates Ben and Jack make their home in Steve Yockey’s Wolves, now getting its Orange County Premiere at Theatre Out, and though assorted Grimms’ Contes De Fées may be its inspiration, Yockey’s dark, sexy fairy tale for adults is about the farthest thing from grim.
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MINE EYES HATH SEEN

Theatre Banshee commemorates the sesquicentennial of end of the bloodiest war in our nation’s history in their tenth-anniversary revival of Mine Eyes Hath Seen, Sean Branney and Leslie Baldwin’s theatrical montage of Civil War tales told “in their own words,” and powerfully so, under Branney’s imaginative direction.
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GREASE

You know from the great-big boy-band/girl-group/cast-of-thirty title-song production number that opens USC’s revival of the Broadway/Hollywood smash Grease that you’re in for something out of the ordinary, and here’s the even better news. USC’s big-stage production turns out to be by far the most exciting of the eight Grease revivals I’ve seen.
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AMERICAN WEE-PIE

Cupcakes offer a down-on-his-luck textbook editor a new lease on life in Lisa Dillman’s magical, whimsical American Wee-Pie, now getting its Los Angeles Premiere in one of my favorite Theatre 40 productions ever.
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A DOG’S HOUSE

The webs we weave when first we practice to deceive don’t get any more tangled than the latticework of lies one couple tells another in Micah Schraft’s A Dog’s House, the latest IAMA Theatre Company World Premiere, and every bit the hilariously edgy, high-impact experience IAMA has been offering L.A. audiences for the past eight years.
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JULIUS CAESAR

When staging Shakespeare for a contemporary audience who’s seen each of the Bard’s plays a gazillion times, it all comes down to acting, design, and execution, and A Noise Within scores three for three in their Spring 2015 season production of Julius Caesar.
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