HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

No one know how to succeed at musicals-in-the-round better than Glendale Centre Theatre, proof positive of which can be savored in their pitch-perfect revival of the 1961 Frank Loesser/Abe Burrow Broadway classic How To Succeed At Business Without Really Trying.
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MY MAÑANA COMES

The subsistence-wage busboy protagonists of My Mañana Comes are young men the average theatergoer would normally pay not much attention to, which is just one reason why Elizabeth Irwin’s 2014 dramedy proves such an engrossing, eye-opening treat in its Los Angeles Premiere at The Fountain Theatre.
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CAROUSEL

The students of the Ray Bolger Musical Theater Program show off their triple-threat talents in the UCLA Department Of Theater’s gorgeously sung-and-danced revival of Richard Rodgers and Oscar Hammerstein II’s Carousel.
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THE GLASS MENAGERIE

The wordless five-minute sequence that introduces us, heartstoppingly, to a Tom Wingfield haunted by memories that even years of distance have been unable to extinguish is but the first indication that Christian Lebano’s vision for Tennessee Williams’ most enduring classic is one we have not yet seen, and one that we will be talking and thinking about long after the light dims on the last of Tom’s sister’s precious Glass Menagerie.
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A WALK IN THE WOODS

The Cold War arms race provides a provocative backdrop for the Pulitzer Prize finalist A Walk In The Woods, Lee Blessing’s dramedic look at the odd-couple friendship that develops in the late 1980s between a veteran Soviet arms negotiator and his younger American counterpart, now getting a crowd-pleasing revival at Long Beach’s International City Theatre.
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THE BIG MEAL

The meet-cute sequence that introduces us to 20somethings Sam and Nicole is but the preamble to The Big Meal, Dan LeFranc’s remarkable meditation on birth, death, life, love, and the whole damn thing, now getting a laughter-and-tear-filled Southern California Premiere that is one of Chance Theater’s finest intimate productions ever.
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AMERICAN IDIOT

Generation Y-ers have set up shop for the next couple weeks at the La Mirada Theatre For The Performing Arts in the very best of the five incarnations I’ve seen so far of Green Day’s addictive rock musical American Idiot.
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THE BOY FROM OZ

Australian entertainment legend Peter Allen lives again as Celebration Theatre treats SoCal audiences to the long-awaited West Coast Premiere of the 2003 Broadway smash The Boy From Oz, the most all-around sensational L.A. intimate-theater musical I’ve seen since the Celebration’s award-sweeping The Color Purple four years back.
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