VANYA AND SONIA AND MASHA AND SPIKE

Christopher Durang’s Vanya And Sonia And Masha And Spike has arrived at International City Theatre, the delectable 2013 Best Play Tony winner proving one of early summer’s yummiest treats.
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RUBEN GUTHRIE

Giving up the bottle in a country where the rate of alcoholism is among the highest in the developed world is no laughing matter, that is unless you’re playwright Brendan Cowell, whose year of self-imposed sobriety inspired the thoroughly entertaining dark dramatic comedy Ruben Guthrie, the second half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
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SPEAKING IN TONGUES

The secrets we hide from those we love, the lies we tell to protect both them and ourselves, and the truths that can only be revealed to strangers lie at the heart of Andrew Bovell’s extraordinary Speaking In Tongues, the first half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
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AS YOU LIKE IT

For those of us who prefer our Bard Of Avon short and sweet, Denise Devin is back with another of her hour-long Shakespeare Short Cuts, the result of which is an As You Like It exactly as you (and I) like it.
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DISNEY THE LITTLE MERMAID

It’s taken nearly ten years for Disney The Little Mermaid to make it from Broadway’s Lunt-Fontanne Theatre to “Under The Sea” at the La Mirada Theatre For The Performing Arts, but director Glenn Casale’s ingeniously reconceived, spectacularly staged take on the New York original makes it well worth the wait.
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JOHN IS A FATHER

They write country songs about hard-living, heavy-drinking heartbreakers like John. Julie Marie Myatt has written John Is A Father, a play with the heart, humor, and emotional wallop of her unforgettable The Happy Ones, albeit on a smaller scale, and if you happen to miss Sam Anderson’s masterful performance in the title role, trust me, you’ll be kicking yourself when awards season arrives.
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STUPID FUCKING BIRD

San Diegans can rejoice at the arrival of Aaron Posner’s supremely theatrical, deliciously meta, hilariously scabrous take on Anton Chekhov’s The Seagull. As for Angelinos who missed Stupid Fucking Bird at The Theatre @ Boston Court a couple years back, or who simply want the chance to re-experience it with exhilaratingly fresh direction and a daringly diverse cast, Cygnet Theatre is just a road trip away.
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BIRDER

Rising at the crack of dawn to gaze up at our fine feathered friends in the sky is to Roger, the 40something protagonist of Julie Marie Myatt’s quietly compelling Birder, what a flashy new sports car or extramarital fling is to other men his age, a way of dealing with a pesky case of midlife crisis.
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