THE PLAY ABOUT THE BABY

The Road Theatre Company opens their 2016-2017 season with an imaginatively directed, beautifully acted, gorgeously designed Los Angeles Premiere of Edward Albee’s The Play About The Baby, though whether Albee’s play will speak to you or not will depend on how you feel about abandoning the realistic for the allegorical.
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BARBECUE

Trailer trash knows no color in the sordid lives brought to booze-chugging, drug-snorting, profanity-spewing life in Barbecue, Robert O’Hara’s outrageously twisted, hysterically funny new comedy now making its West Coast debut at the Geffen Playhouse, and that’s just Act One.
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ALL THE WAY

Robert Schenkkan’s Best Play Tony-winner All The Way arrives at South Coast Repertory in what is sure to be one of the coming year’s finest productions, a locally-cast, locally-directed, locally-designed gem that sets the record straight on LBJ, our nation’s 36th President, brought to explosive, warts-and-all life by Hugo Armstrong in one of the year’s great star turns.
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THE FANTASTICKS

The world’s longest-running musical (aka The Fantasticks) makes for a crowd-pleasing Pasadena Playhouse season opener thanks not only to its time-tested appeal but also to an excitingly contemporary director’s concept and cast choices that celebrate diversity in the most refreshing of ways.
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ARCADIA

Tom Stoppard’s Arcadia can prove quite a head-scratcher when not done right. Fortunately, despite brain-teasing elements that can challenge even the sharpest intellect, all-around superb acting and incisive direction make A Noise Within’s 25th-season opener as entertaining and accessible as Arcadias get.
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CHARM

Edward J. Olmos’s Jaime Escalante did it in Stand And Deliver. Michelle Pfeiffer’s Louanne Johnson did it in Dangerous Minds. Sidney Poitier’s Mark Thackery did it in To Sir With Love. And now Lana Houston’s Mama Darleena Andrews does it in Charm, transforming the lives of a classroomful of rebellious teens, only this time round the teacher in question is a transgender sexagenerian and her students an unruly bunch of homeless LGBT teens. Talk about a setup for an edgy, funny, and (you guessed it) heartstrings-tugging crowd-pleaser, the latest all-around winner from Celebration Theatre.
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NOSFERATU, A SYMPHONY IN TERROR

A silent horror movie classic inspires Crown City Theatre’s excitingly original Nosferatu, A Symphony In Terror, arriving just in time to greet the Halloween season with its stunning blend of movement and dance performed to a gloriously symphonic soundtrack.
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DUTCH MASTERS

A classic setup—Hitchcock called it Strangers On A Train—is given an excitingly edgy contemporary spin in Greg Keller’s edge-of-your-seat two-hander Dutch Masters, a Rogue Machine Theatre West Coast Premiere that will keep you guessing throughout its riveting seventy-five minutes, then have you talking about what you’ve seen long after its powerful final fadeout.
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