THE FOUND DOG RIBBON DANCE

Only the lonely populate The Found Dog Ribbon Dance, but don’t let that fool you into thinking that Dominic Finocchiaro’s wondrous World Premiere is anywhere near a downer. On the contrary, the latest from Echo Theater Company is precisely the kind of play you’ll want to tell all your romcom-loving friends (and just about anyone else in search of smart, funny, heartstrings-tugging, feel-good new theater) not to miss.
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THE LAST FIVE YEARS

Star-crossed Jamie Wellerstein and Cathy Hiatt fall in and out of love once more in McCoy Rigby Entertainment’s exceptional revival of Jason Robert Brown’s exquisite The Last Five Years, now thrilling audiences at the La Mirada Theatre For The Performing Arts.
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LATE COMPANY

Anti-gay bullying and its potentially fatal consequences are hardly topics you’d expect to see tackled by a theater company perhaps best known for seniors-friendly mystery/comedy fare, but these are precisely the issues that propel Canadian playwright Jordan Tannahill’s shattering family drama Late Company, now being given a compelling American Premiere at Beverly Hill’s Theatre 40.
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COMPANY

The all-student talent of USC’s Musical Theatre Repertory rises to the many challenges of Stephen Sondheim and George Furth’s Company—and then some—in an intimate staging that stands out as one of the finest of the eighteen MTR productions I’ve reviewed over the past nine years.
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BEE-LUTHER-HATCHEE

With racial violence on the rise, racists increasingly fearless in spouting (and acting upon) their hate, and an incoming President owing his election, at least in part, to racist backlash against his predecessor, the timing could hardly be more apt for Sierra Madre Playhouse to give Thomas Gibbons’ provative Bee-luther-hatchee the powerful revival it deserves, now more than ever.
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THE ROOMMATE

Jen Silverman reinvigorates the surefire (if overly familiar) odd-couple comedy in The Roommate, a South Coast Repertory West Coast Premiere that may well defy credibility in its final scenes but never fails to entertain, particularly as performed by a crackerjack couple of SoCal stage treasures.
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THE LION

One man, six guitars, fifteen songs, and Benjamin Scheuer’s extraordinary true-life tale add up to twenty-two reasons not to miss the Geffen Playhouse L.A. Premiere of the award-winning international sensation The Lion.
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RENT

Jonathan Larson’s Rent has arrived at Costa Mesa’s Segerstrom Center For The Arts in an energetically performed 20th-Anniversary non-Equity tour that recreates Michael Greif’s original 1996 vision, one that revolutionized Broadway with its now iconic tale of impoverished young artists and musicians just barely holding it together in New York’s Lower East Side during the darkest days of the AIDS epidemic.
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