THE LAST BREAKFAST CLUB

Imagine John Hughes’ archetypal Brain, Athlete, Basket Case, Princess, and Criminal performing twenty or so ‘80s hits to a live band inside the Shermer High School library as the only kids left in “an apocalypse of nuclear zombies” and you’ve got The Last Breakfast Club, the latest from Rockwell Table And Stage and the ab-fab first in a series of The Fuse Project musical movie spoofs.
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DOGFIGHT

It’s taken five years for Dogfight, the Louise Lortel Award-winning Outstanding Musical of 2012, to finally make it to Los Angeles proper, and praise be the gods of L.A. musical theater, Dogfight’s Hudson Mainstage debut is (to quote from one of the show’s best songs) “Nothing Short Of Wonderful.”
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THE BODYGUARD

Over a dozen of Whitney Houston’s Greatest Hits performed by an electrifying Deborah Cox in the screen-to-stage tale of a superstar pop diva and her obsessed, life-threatening stalker may not be great art. Indeed, it’s not even a traditional song-propelled musical per se. But no matter. I enjoyed just about every minute of The Bodyguard, the West End smash now touring the U.S.A. and stopping this week and next at the Segerstrom Center For The Arts.
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SHOCKHEADED PETER

Bizarre, demented, disturbing, ghoulish, grotesque, gruesome, macabre, nightmarish, twisted, warped, and wickedly funny, Cygnet Theatre’s Shockheaded Peter is a stunningly designed musical treat filled with hilariously over-the-top characters and weirdly infectious tunes that will make any child (no matter how aged) think twice about misbehaving.
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KISS

You must remember this. A kiss is not always just a kiss, or at least not in Guillermo Calderón’s compelling, confounding vision of life and love and death in today’s Syria, the appropriately—or metaphorically—titled Kiss, now being given a never-less-than-daring Odyssey Theatre Ensemble West Coast Premiere.
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DINNER WITH FRIENDS

“The thing is, you never know what couples are like when they’re alone; you never do.”

This bit of wisdom is just one reason why Donald Margulies’ Dinner With Friends still packs a punch at Little Fish Theatre seventeen years after it won its playwright the 2000 Pulitzer Prize for Drama.
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ELEVATOR

Get ready for the Elevator ride of the year as Michael Leoni’s gripping, emotion-packed dramedy-in-a-lift returns to West Hollywood seven years after its eleven-month smash run had audiences coming back for more of its crowd-pleasing blend of excitement, laughter, and tears, not to mention one unexpected twist after another.
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FIVE GUYS NAMED MOE

The Nate Holden Performing Arts joint is a-jumpin’—and then some—as Ebony Repertory Theatre thrills L.A. audiences with its 25th-anniversary revival of the Best Musical Tony-nominated Five Guys Named Moe, Broadway’s crowd-captivating tribute to the songs of 1940s R&B pioneer Louis Jordan.
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