KING OF THE YEES

Chinese-American playwright Lauren Yee pays affectionate, rib-tickling, ultimately quite touching tribute to her dad Larry in King Of The Yees, a Center Theatre Group World Premiere now both delighting and illuminating audiences of all racial-ethnic-cultural persuasions at Culver City’s Kirk Douglas Theatre.
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LEND ME A TENOR THE MUSICAL

The entire cast of zanies populating Ken Ludwig’s phenomenally popular Lend Me A Tenor launch into both song and dance in PCPA Theaterfest’s Lend Me A Tenor The Musical, one of the best Broadway shows never to have been seen on Broadway, or at least not yet.
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HAIRSPRAY

Laguna Playhouse transports audiences back to the ‘60s with its infectiously tuneful, delightfully entertaining summer staging of the Best Musical Tony-winning Hairspray.
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PARADE

Director-choreographer Kari Hayter takes the Best Musical Tony winner Parade and reconceives it so stunningly, even those who’ve already seen the Jason Robert Brown-Alfred Uhry gut-puncher will feel they are experiencing it anew on the Chance Theater stage.
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THE ANDREWS BROTHERS

The older you are, the more you will enjoy the journey back in time that is Glendale Centre Theatre’s The Andrews Brothers. Still, you don’t have to be seventy-plus to get a kick out of Roger Bean’s slapstick tale of three 4F stagehands who end up taking over for a trio of ailing Andrews Sisters at a WWII USO concert somewhere in the South Pacific circa 1945.
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HEISENBERG

Tony-nominated Denis Arndt and his Broadway leading lady Mary-Louise Parker light up the Mark Taper Forum stage as mismatched misfits made for each other in the Manhattan Theatre Club production of Simon Stephens’ Heisenberg, an East-to-West Coast transfer that allows Angelinos to experience the same theatrical alchemy that only months ago filled seats on New York’s Great White Way.
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THE CAKE

Bekah Brunstetter puts a deeply personal, delightfully down-home face on the Gay-Wedding-Cake Wars in The Cake, the gifted young playwright’s latest World Premiere dramedy, another feather in director Jennifer Chambers’ and The Echo Theater Company’s multi-plumed hats.
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DIAL “M” FOR MURDER

The Group Rep starts the summer off with a stylishly directed, classily designed, mostly quite well-cast revival of Frederick Knott’s classic 1952 thriller Dial “M” For Murder.
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