A DELICATE SHIP

Questions of “What if…” haunt the memories of the trio of 30somethings who propel Anna Ziegler’s A Delicate Ship, the latest dramatic sensation from North Hollywood’s Road Theatre Company and a play that will stick with you long after its final fade to black.
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CABARET

There’ve been Cabarets light, Cabarets dark, and Cabarets in between, but there’s probably never been a Cabaret as pitch black as the stunning German Expressionist nightmare director Larry Carpenter has unleashed on audiences at the La Mirada Theatre For the Performing Arts.
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JERSEY BOYS

Jersey Boys (aka The Story Of Frankie Valli & The Four Seasons) is back in town in a streamlined staging that may trim its cast by 21% but stints hardly an iota on entertainment value, its new-for-2017/18 National Tour stopping this weekend only at the Segerstrom Center For The Arts.
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PICK OF THE VINE 2018

Little Fish Theatre opens its 2018 season with its 16th-annual Pick Of The Vine: This Year’s Best Short Plays, the top 1.78% of a whopping 505 submissions, 9 mini-plays adding up to 1 terrifically acted, directed, and designed evening of theater at its most entertainingly eclectic.
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SMALL MOUTH SOUNDS

A half-dozen enlightenment seekers head off into the woods for a five-day spiritual retreat where talking is taboo in Bess Wohl’s entertaining, touching, emotionally observant Small Mouth Sounds, now playing at Santa Monica’s The Broad Stage.
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BUGABOO & THE SILENT ONE

Marja-Lewis Ryan puts her own distinctive stamp on Women Behind Bars in the powerful Bugaboo & The Silent One, the playwright-director’s fourth and latest World Premiere collaboration with the astonishing Heidi Sulzman.
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HEATHERS: THE MUSICAL

A cast and production team only just entering their 20s proves a particularly fine fit—and more than up to the task of bringing Heathers: The Musical to murderously crowd-pleasing life at Thousand Oaks’ Hillcrest Center For The Arts.
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BAREFOOT IN THE PARK

Newlyweds Corrie and Paul Bratter may have moved into their sixth-floor New York City walkup some fifty-five years ago but their story remains as fresh and delightful as it was when Neil Simon first introduced Broadway audiences to Barefoot In The Park back in 1963 in Glendale Centre Theatre pitch-perfect New Year’s 2018 revival.
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