HARVEY


Mary Chase’s 1944 Pulitzer Prize-winning comedy classic about a man and an invisible six-foot-one-and-a-half-inch-tall rabbit called Harvey returns 81 years after its Broadway debut to close out Whittier Community Theatre’s 101st season on a delightfully (and thought-provokingly) winning note.
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THE CHINESE LADY


A largely forgotten figure in Asian-American history is resurrected to indelible life by a stunning Michelle Krusiec in Chance Theater’s gorgeously staged regional premiere of Lloyd Suh’s critically-acclaimed off-Broadway hit The Chinese Lady.
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RODGERS + HAMMERSTEIN’S CINDERELLA


Delightful performances, clever direction, and Douglas Carter Beane’s fresh new book are three big reasons why Wisteria Theater’s scaled-down take on the 2013 Broadway revival of the 1950s live TV classic known as Rodgers & Hammerstein’s Cinderella makes it four winners in a row for the new North Hollywood company.
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A DOLL’S HOUSE, PART 2


It’s a whole new A Doll’s House, Part 2 at the Pasadena Playhouse with director Jennifer Chang and an ab-fab foursome of TV/stage stars bringing to scintillating life comedic elements left mostly unexplored in the two previous productions I’ve seen of Lucas Hnath’s 2017 Broadway hit.
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BECKY’S NEW CAR


Great play. Great direction. Great cast. Great design. Theatre 40’s intimate revival of Becky’s New Car, Steven Dietz’s unorthodox look at marital devotion and extramarital hanky-panky has everything it takes to make it one of Theatre 40’s most all-around fabulous productions in years.
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HIDE & HIDE


The American Dream ends up little more than an urban legend for the two star-crossed protagonists of Roger Q. Mason’s compelling, heart-rending two-hander Hide & Hide, a sensationally acted, directed, and designed Skylight Theater World Premiere.
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THE HOMECOMING


An outsider’s arrival upsets the delicate balance that has until now preserved the status quo inside a vipers’ nest of a family home in Harold Pinter’s 20th-century classic The Homecoming, the provocative latest from City Garage.
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A MAN OF NO IMPORTANCE


Kasey Mahaffy delivers an exhilarating, emotion-packed, career-redefining performance as Dublin bus conductor Alfie Byrne in A Noise Within’s stirring revival of Terrence McNally, Lynn Aherns, and Stephen Flaherty’s 2002 off-Broadway musical A Man Of No Importance.
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