SHE LOVES ME

Feuding co-workers who’ve no idea they’re secretly in love with each other make for romantic musical comedy magic in the 1963 Broadway classic She Loves Me, Morgan-Wixson Theatre’s delightful 2018-2019 season opener.
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THE RESCUED

Abuse survivors living in a group home would seem unlikely to inspire a comedy as sweet and touching and funny as Julie Marie Myatt’s The Rescued, but the Road Theatre Company’s latest World Premiere proves an utterly charming if still-a-bit-in-need-of-a polish gem.
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SENSE AND SENSIBILITY

The Dashwood sisters fall truly, madly, deeply in love once again as South Coast Repertory treats Jane Austen fans to Sense And Sensibility, its daringly cast and deliciously performed 2018-2019 season opener.
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CHICAGO


Having spent the better part of the past fourteen years wowing worldwide audiences as Chicago’s Velma Kelly, Terra C. MacLeod returns to Moonlight Stage Productions to deliver a sensational star turn as Roxie Hart, the first of many very good reasons not to miss this terrific new take on an old favorite.

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A NIGHT WITH JANIS JOPLIN

Janis Joplin lives and breathes and sings out hit after hit after hit in her gravely gift of a voice as Mary Bridget Davies revives her Tony-nominated performance as the Queen Of Rock-&-Roll in A Night With Janis Joplin at La Mirada Theatre For The Performing Arts.
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NATIVE GARDENS

Racism, sexism, ageism, and a fence add up to one of the year’s funniest—and most button-pushing—comedies in Karen Zacarías’s Native Gardens, now getting its most star-studded production to date at the Pasadena Playhouse.
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SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY

Regina George has met her Ghanaian match in Jocelyn Bioh’s side-splittingly funny, acerbically perceptive, unexpectedly touching School Girls; or, The African Mean Girls Play, imported to the Kirk Douglas Theatre from its hit off-Broadway run with most of its original MCC Theater cast intact.
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SWEAT

Playwright Lynn Nottage gives voice to blue-collar America in her Pulitzer Prize-winning Sweat, now making a gut-punching Los Angeles debut at the Mark Taper Forum, a suspenseful, insightful look at an electorate so disillusioned by their failed American Dreams that they ended up doing the unthinkable.
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