SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY

Regina George has met her Ghanaian match in Jocelyn Bioh’s side-splittingly funny, acerbically perceptive, unexpectedly touching School Girls; or, The African Mean Girls Play, imported to the Kirk Douglas Theatre from its hit off-Broadway run with most of its original MCC Theater cast intact.
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SWEAT

Playwright Lynn Nottage gives voice to blue-collar America in her Pulitzer Prize-winning Sweat, now making a gut-punching Los Angeles debut at the Mark Taper Forum, a suspenseful, insightful look at an electorate so disillusioned by their failed American Dreams that they ended up doing the unthinkable.
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THE WORLD GOES ‘ROUND

Five of L.A.’s most talented triple-treats performing twenty-nine Kander & Ebb gems add up to one non-stop entertaining evening of musical theater as Reprise 2.0 treats audiences to its sensationally performed, imaginatively directed, gorgeously designed The World Goes ‘Round.
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SPRING AWAKENING

Spring Awakening has arrived at Hollywood’s Lounge Theatre in what is easily the most “high-concept” of the fourteen productions I’ve seen. Promoted as “Spring Awakening For Gun Safety” and drawing overt connections between its 1891 teen protagonists and the 2018 world we live in, this thoroughly original vision is as stunningly directed and choreographed as it is strikingly designed and powerfully performed.
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ALWAYS … PATSY CLINE

Cori Cable Kidder reprises her Ovation Award-nominated, Scenie-winning star turn as Patsy Cline opposite SoCal musical theater treasure Ann Myers in Glendale Centre Theatre’s Always … Patsy Cline for two hours of country music memories backed by a live band. Need I say more?
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THE GLASS MENAGERIE

The Glass Menagerie is in expert hands as International City Theatre revives the masterpiece that first put Tennessee Williams’ name on the map, giving it a 74th-anniversary revival sparked by impeccable direction, striking design, and performances that breathe fresh new life into a classic.
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THE CHALK GARDEN

Brits don’t get more delightfully eccentric than the residents of Mrs. St. Maugham’s Sussex manor house in Enid Bagnold’s 1955 charmer The Chalk Garden, the latest Theatricum Botanicum gem.
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AIN’T TOO PROUD

The Motown sound is ready once again to take New York by storm when Ain’t Too Proud—The Life and Times of The Temptations, now earning some of the loudest Ahmanson Theatre audience cheers I’ve heard in years, transfers to Broadway’s Imperial this spring.
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