QUACK

Allegations of medical advice turned fatal threaten to destroy TV’s most beloved physician in Eliza Clark’s Quack, a Center Theatre Group World Premiere that proves as hilarious as it is timely as it is button-pushing and thought-provoking.
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THE ADDAMS FAMILY

Candlelight Pavilion Dinner Theatre welcomes the ghosts-and-goblins season with the creepy, kooky, mysterious, and spooky clan known as The Addams Family, providing Southland audiences with the snap-snappiest Halloween entertainment in town.
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VIETGONE

Romantic comedy lovers are in for a treat as a couple of Vietnamese evacuees in an Arkansas refugee camp circa 1975 fall reluctantly in love in Qui Nguyen’s Vietgone, one of East West Players’ all-around best productions in years.
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THE LITTLE FOXES

Lillian Hellman might have written The Little Foxes in post-Depression 1939, but her tale of the Alabama Hubbard clan’s quest for even more filthy lucre hasn’t aged a day, just one reason her three-act Southern-fried melodrama makes for an especially scrumptious Antaeus Theatre Company three-course meal.
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KINGS

Rising playwright Sarah Burgess takes deadly aim at the political strings pulled by big-money-powered PACs in Kings, a South Coast Repertory West Coast Premiere as entertaining as it is riveting as it is cynical about the state of our nation.
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BRIGHT STAR

Gorgeous bluegrass melodies, a leading lady’s incandescent star turn, all-around terrific supporting performances, ingenious staging, and a plot straight out of a 1930s/40s Hollywood weeper will have you crying joyful tears that Musical Theatre West has made Steve Martin and Edie Brickell’s Bright Star its 66th season opener.
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THE WOMAN IN BLACK

There’s no better month for a ghost story than October and no better place for Halloween chills this year than the City Of Roses as Pasadena Playhouse trick-or-treats audiences to the The Woman In Black, the West End smash comedy thriller staged just as Londoners have been eating it up nonstop since 1989.
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THE THEORY OF RELATIVITY

Thirteen multitalented millennials, an inspired director and choreographer, and one of the most tuneful and insightful scores in years make for musical theater magic in Neil Bartram and Brian Hill’s The Theory Of Relativity, now playing at NoHo’s Gray Studios.
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