REUNION
Thursday, March 20th, 2014
A trio of onetime high school best friends reunite for the first time since grad night twenty-five years before in Gregory S. Moss’s edgy comedy-turned-gut-punching drama Reunion, the latest World Premiere from South Coast Repertory.
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CINNAMON GIRL
Monday, March 17th, 2014
Velina Hasu Houston and Nathan Wang transport us to another time, another place, another world in their magical, mystical, marvelous new musical Cinnamon Girl, now playing at the Greenway Court Theatre.
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CLOSELY RELATED KEYS
Monday, March 3rd, 2014
A hotshot young corporate lawyer discovers she has an Iraqi half-sister from her father’s long ago extramarital relationship in Wendy Graf’s riveting Closely Related Keys, a World Premiere drama as topical as today’s headlines.
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A NICE INDIAN BOY
Thursday, February 27th, 2014
Playwright Madhuri Shekar puts a fresh, multicultural, same-sex spin on the classic romantic comedy in her World Premiere dramedy A Nice Indian Boy, one of the best original plays I’ve seen at East West Players, a romcom that had me at “Hello,” or in the case of Naveen and Keshav, at “Om.”
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ABOVE THE FOLD
Friday, February 7th, 2014
Three white North Carolina college frat boys accused of gang-raping an African-American stripper provide the incendiary framework for Above The Fold, Bernard Weinraub’s bracingly acidic look at politics circa 2014, race relations in today’s South, and print journalism in an increasingly cyber age—the World Premiere latest from the Pasadena Playhouse.
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DAY TRADER
Saturday, January 18th, 2014
Expect the unexpected, and then some, in Eric Rudnick’s edgy, twist-filled Day Trader, thrillingly staged and terrifically acted in its World Premiere production at the Bootleg Theatre.
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SAVE ME
Sunday, November 10th, 2013
Dynasty’s Alexis Carrington, All About Eve’s Eve Harrington, Mean Girls’ Regina George, Melrose Place’s Amanda Woodward, Days Of Our Lives’ Sami Brady … All these movie and TV bad girls owe a debt of gratitude to the brazen hussy that started it all way back in 1890, the one-and-only Hedda Gabler, brought up to 21st Century life in Save Me, Valerie Rachelle’s modern interpretation of Henrik Ibsen’s late 19th-Century classic, directed with style and flair by Rachelle and featuring a sensational Shannon Nelson as Her Majesty, Queen Bitch Hedda.
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