REUNION

Does your upcoming 10th, 20th, 30th, 40th, or 50th High School Reunion fill you with excitement and joy … or does the mere thought of attending inspire terror and dread? Either way, Marc Ellis, Michael Lange, and David M. Matthews’ tune-filled, feel-good musical Reunion, now getting its World Premiere at the NoHo Arts Center, is one invitation you’ll want to accept.
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CAKE

The lives of nine college town residents intersect in Wendy Gough Soroka’s World Premiere comedy Cake, the latest from Theatre Unleashed and a crowd-pleaser despite its unnecessarily lengthy scene changes.
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BREAKING THROUGH

The tale being told may not be “as old as time,” but it’s certainly as old as the recording industry, or so aspiring singer-songwriter Charlie Jane discovers in Breaking Through, a World Premiere musical that, while breaking no new ground storywise, at the very least features a catchy pop-rock score, some exciting choreography, and a bunch of thoroughly winning performances.
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NEED TO KNOW

Among the many advantages to New York City living, moving in next door to a man like Mark Manners is not one of them, or so a couple of L.A.-to-NYC transplants discover in Jonathan Caren’s seductively suspenseful comedy Need To Know, now getting a world-class World Premiere at Rogue Machine.
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WE ARE THE TIGERS

Bring It On meets Scream in Rebekah M. Allen’s We Are The Tigers, a genre-bending, rule-breaking new musical which, while not yet ready for off-Broadway, features engaging characters, catchy songs, and sensational performances that make its World Premiere run at the Hudson Backstage an entertaining Halloween season treat.
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SOMETHING TRULY MONSTROUS

NOT RECOMMENDED

Even the best efforts of the finest theaters can misfire, although given The Blank Theatre’s stellar track record, I wasn’t expecting to find Jeff Tabnick’s Something Truly Monstrous such a disappointment.
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IN YOUR ARMS

Dance and romance reign supreme in In Your Arms, as thrilling an Old Globe World Premiere as I’ve seen in a good long while and one that most definitely deserves to be Broadway-bound.
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HOMEFREE

When choosing Homefree, Lisa Loomer’s compelling, often devastating look at a trio of homeless teens, as the first production of its 2014-2015 season, the Road Theatre Company could not possibly have imagined that only four days after Opening Night, Los Angeles Mayor Eric Garcetti would publicly declare a “state of emergency” on homelessness, words that would render the latest Road World Premiere as timely as this week’s headlines.
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