THE LAST VIG

Supporting performances are uniformly terrific and design elements as good as it gets, but with a low-energy Burt Young slowing things down to a snail’s pace, audiences in search of theatrical sparks had best look elsewhere than writer-director David Varriale’s potentially entertaining Mafia comedy The Last Vig*.
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BLOODLETTING

A Filipino-American brother and sister’s pilgrimage to their recently deceased father’s birthplace takes a supernatural turn in Boni B. Alvarez’s Bloodletting, a Playwrights’ Arena World Premiere that could appeal to fans of the occult who don’t mind spending seventy-five minutes with a couple of rather obnoxious siblings.
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STAY TUNED

Polish it may lack but laughs there are aplenty in Stay Tuned, Ryan Paul James’ amusing mash-up of Charles Dickens’ A Christmas Carol and Orson Welles’ War Of The Worlds, Theatre 68’s holiday gift to North Hollywood and beyond.
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SNOWED INN

Love complications ensue when four couples find themselves stuck together under one roof in David Ewing’s overlong, only intermittently amusing romantic sitcom Snowed Inn, now getting its World Premiere engagement at NoHo’s El Portal Theatre.
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MOM’S DEAD

Dysfunctional families have guaranteed theatrical fireworks since the Ancient Greeks, and families don’t get much more dysfunctional than the Thompsons in Nathan Wellman’s darkly comedic Mom’s Dead, a frequently compelling if overly padded World Premiere from Sacred Fools.
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WHEN JAZZ HAD THE BLUES

He was the love of Lena Horne’s life. He ghostwrote and/or arranged many of Duke Ellington’s Greatest Hits. He lived an openly gay life three full decades before Stonewall. He was Billy Strayhorn, and if the name doesn’t ring a bell, playwright Carole Eglash-Kosoff aims to rectify that with her elucidating, engrossing, enormously entertaining World Premiere musical drama When Jazz Had The Blues.
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UNBOUND

Sympathy-defying characters in credibility-challenging situations make D.G. Watson’s Unbound a less than riveting follow-up to IAMA Theatre Company hits like A Dog’s House, The Recommendation, and The Accidental Blonde.
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ICEBERGS

An indie filmmaker and his actress wife invite a trio of friends into their Silver Lake home for ninety minutes of contemporary American playwriting at its most entertaining in Alena Smith’s timely and touching, humorous and human Icebergs, a World Premiere dramedy that proves one of the Geffen Playhouse’s best.
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