BAD HABITS

A nonagenarian TV legend spars with a quintet of salty-tongued singing nuns in Steve Mazur’s comedic crowd-pleaser Bad Habits, a holiday hit for Santa Monica’s Ruskin Group Theatre held over to start 2020 with a bang.
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DISPOSABLE NECESSITIES

Playwright Neil McGowan gives a futuristic spin to the age-old question “What would you do if you could live forever?” in his gender-bending, race-bending, relentlessly clever dark comedy Disposable Necessities, a Rogue Machine Theatre World Premiere.
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EMBRIDGE

Take a hearty dollop of Jane Austen romance, sprinkle in a dash of Oscar Wilde wit, and you’ve got Kathryn Farren’s Embridge, now captivating L.A. theatergoers in its World Premiere engagement at San Pedro’s Little Fish Theatre.
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SALVAGE

A chance visit to a run-down, out-of-the-way bar stirs up memories long-ago friendships, unfulfilled dreams, unforgotten grudges, and a woman named Jennifer in Tim Alderson’s Salvage, a World Premiere “play with music” which requires buying into more than one coincidence but offers multiple rewards, not the least of which is getting to hear some of the most haunting, gorgeously sung country music in town.
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KEY LARGO

The Geffen Playhouse reboots a 1948 black-and-white movie classic live in living color in Jeffrey Hatcher and Andy Garcia’s rip-roaring World Premiere stage adaptation of the Bogie-&-Bacall suspense thriller Key Largo, directed with abundant flair by Tony winner Doug Hughes.
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DEFENDERS

A trio of WWII GIs stranded on a storm-tossed island off the north Icelandic coast learn the hard way that it’s not just the Nazis who are out to get them in Cailin Maureen Harrison’s supernatural-tinged action-adventure thriller Defenders, a World Premiere guest production at Hollywood’s Broadwater Blackbox.
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EIGHT NIGHTS

A Holocaust survivor newly arrived in 1940s New York. An African-American couple who’ve journeyed north in the tumultuous ’60s in hopes of escaping racism down south. The Japanese-American grandson of WWII internment camp detainees circa 1988. A Syrian refugee in Trump-era America. Playwright Jennifer Maisel weaves together these characters and their interconnected stories in her decades-spanning World Premiere drama Eight Nights, an Antaeus Theatre Company triumph.
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FRUITION

If dystopian thrillers are your thing, you may buy into the post-apocalyptic world imagined by Alexis DeLaRosa in Fruition, a Theatre Of NOTE World Premiere. If not, you’ll likely find yourself less enthralled by what DeLaRosa imagines in store for the USA as we know it.
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