DRIVING WILDE

Though it goes haywire about halfway through, Driving Wilde, Jacqueline Wright’s trippy contemporary Americanized take on The Portrait Of Dorian Gray, is far from dull.
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EARLY BIRDS

Night-and-day-different 70somethings bond aboard ship in Dana Schwartz’s Early Birds, a World Premiere comedy as entertaining and charming as it is predictable, and nothing wrong with that.
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DOPE QUEENS

Dope Queens, Grafton Doyle’s seamy dissection of the go-nowhere lives of three drug-addicted, fresh-out-of-prison LGBTQ street walkers (two of them gender non-conforming POCs and one a GWM) is not just a major downer, it’s an overwrought, all-over-the-place two-acter that overstays its welcome by at least half an hour.
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APPLE SEASON

Childhood abuse survivors return to the Oregon farm they once called home in E.M. Lewis’s compact dramatic gem Apple Season, a National New Play Network Rolling World Premiere now riveting audiences at Atwater Village Theatre.
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THE DIRECTION HOME

Tonally it’s all over the place and its lackluster title is unlikely to prove a box-office draw, but Greg Vie’s autobiographical The Direction Home works for the most part as a nostalgic, touching coming-of-age comedy set in WeHo only a few years before the music died.
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STRONG ARM

Taking as his inspiration Anton Chekhov’s The Seagull, playwright Wyn Moreno has created a contemporary dysfunctional family dramedy that stands tall on its own merits in Strong Arm, the World Premiere latest from Orange County’s The Wayward Artist.
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READY STEADY YETI GO

Sixth-graders reenact a local hate crime for reasons that don’t particularly make sense in David Jacobi’s Ready Steady Yeti Go, a talent showcase for its gifted 20something ensemble that would work even better with age-appropriate casting.
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MYSTERIOUS CIRCUMSTANCES

Truth is indeed stranger than fiction in Michael Mitnick’s time-traveling, mind-tripping look at the Mysterious Circumstances surrounding the still unsolved death of the world’s foremost Sherlock Holmes scholar.
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