SMILE

A guidance counselor and a 17-year-old student find their lives intertwined to explosive effect in Melissa Jane Osborne’s Smile, an IAMA Theatre Company World Premiere as compelling as it is exasperating.
(read more)

ACCORDING TO THE CHORUS


Backstage comedies pretty much have me at hello. No wonder then that I’ve fallen head over Capezios for According To The Chorus, Arlene Hutton’s captivating journey back in time to Broadway circa 1984, the latest World Premiere delight from North Hollywood’s Road Theatre Company.
(read more)

A CLEAN BRUSH

After having given a number of Norm Foster comedies their American or West Coast Premieres, Theatre 40 now gets first dibs on Foster’s latest. Unfortunately, A Fresh Brush proves one of the prolific comic master’s lesser efforts, but that doesn’t mean that its cast of Canadian oddballs don’t earn their fair share of chuckles.
(read more)

TO THE BONE


Pay no mind to its frustratingly cryptic and even off-putting title. Catherine Butterfield’s alternately sidesplitting/heartstrings-tugging To The Bone is not only one of the year’s best new plays, like David Lindsay-Abaire’s similarly set Good People, the Open Fist Theatre Company World Premiere will keep you guessing—and keep surprising you—from its hilarious start to its unexpected, laughter-through-tears finish.
(read more)

REVENGE PORN OR THE STORY OF A BODY


A disgruntled ex gets back at his onetime bed partner in the most publicly demeaning of ways by posting online the nude selfies she’d sent him years earlier in Carla Ching’s Revenge Porn or The Story of a Body, the thrillingly hot-button latest from Ammunition Theatre Company.
(read more)

BABE

Cliffhangers are perfectly fine if you’re writing a series pilot or season finale. Not so much if you’ve written what purports to be a full-length play, which is why, engaged as I was throughout Echo Theater Company’s Babe, I left feeling frustrated, angry, and confused as to why playwright Jessica Goldberg didn’t finish what she’d started so provocatively sixty-five minutes earlier in a more satisfyingly conclusive way.
(read more)

BEARINGS

Is it real or is are we in The Twilight Zone? One thing is for certain. Matt Chait’s Bearings will keep you on the edge of your seat for eighty-five entertaining minutes at Hollywood’s Flight Theatre.
(read more)

NORMAL NOISES


If laughter is indeed the best medicine, then you’re bound to leave Normal Noises, Clara Rodriguez’s quirky sextet of “plays about real life, only more so” in the halest of health.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »