BABE

Cliffhangers are perfectly fine if you’re writing a series pilot or season finale. Not so much if you’ve written what purports to be a full-length play, which is why, engaged as I was throughout Echo Theater Company’s Babe, I left feeling frustrated, angry, and confused as to why playwright Jessica Goldberg didn’t finish what she’d started so provocatively sixty-five minutes earlier in a more satisfyingly conclusive way.
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BEARINGS

Is it real or is are we in The Twilight Zone? One thing is for certain. Matt Chait’s Bearings will keep you on the edge of your seat for eighty-five entertaining minutes at Hollywood’s Flight Theatre.
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NORMAL NOISES


If laughter is indeed the best medicine, then you’re bound to leave Normal Noises, Clara Rodriguez’s quirky sextet of “plays about real life, only more so” in the halest of health.
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LAVENDER MEN


Queer playwright Roger Q. Mason explores the love that dared not speak its name between Abraham Lincoln and his “close friend” Elmer Ellsworth in Lavender Men, at once a gay American history fantasia, a very public therapy session for its self-described “black, fat, femme” author, and one of the most stunning productions in town.
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TROUBLE THE WATER


Will Geer’s Theatricum Botanicum pays tribute to a little-known figure in African-American history in Ellen Geer’s illuminating, emotion-packed biodrama Trouble The Water, freely adapted from Rebecca Dwight Bruff’s award-winning 2019 novel of the same name.
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MUD

Loft Ensemble imagines a dystopian future populated by ten nameless, genderless global calamity survivors in Mud, a World Premiere drama I found alternately pretentious and preachy
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BEACH PEOPLE


A quartet of sunbathers philosophize on the sand in Charles A. Duncombe’s absurdist existential comedy Beach People, a City Garage World Premiere impressively acted by a skin-revealing cast of four.
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REMEMBERING THE FUTURE


Imagine if the person you were at age 18 could tell 58-year-old you exactly what they think of your life choices. Playwright Peter Lefcourt does precisely this in his entertaining new “existential comedy” Remembering The Future, now tantalizing audiences with “What ifs” at the Odyssey Theatre.
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