AVA: THE SECRET CONVERSATIONS


Elizabeth McGovern proves herself as accomplished a playwright as she is a gifted actress in Ava: The Secret Conversations, the Academy Award nominee’s fascinating look at the life and loves of screen goddess extraordinaire Ava Gardner.
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COLONIALISM IS TERRIBLE, BUT PHỞ IS DELICIOUS


You don’t have to be a Vietnamese food fan to fall for Dustin H. Chinn’s culture clash comedy Colonialism is Terrible, But Phở is Delicious, now getting a tangy World Premiere production at Anaheim Hills’ Chance Theater.
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BLUE


Award-winning L.A. stage star June Carryl proves herself a playwright to be reckoned with in Rogue Machine’s Blue, a ripped-from-today’s-headlines stunner now riveting audiences in the Matrix Theatre’s ultra-intimate Henry Murray Stage.
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UNRIVALED

I was often tickled but only occasionally engaged by the madcap antics and contemporary speak of the trio of 11th-century Japanese women whose friendship/enmity (frenmity?) Rosie Narasaki writes about in Unrivaled, now getting its World Premiere as a Boston Court Pasadena-Playwrights’ Arena co-production.
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DID YOU SEE WHAT WALTER PAISLEY DID TODAY?


Move over Little Shop Of Horrors. There’s a new killer musical in town and it’s Randy Rogel’s murderously clever dark-comedy gem Did You Hear What Walter Paisley Did Today?, now making its World Premiere debut at the La Mirada Theatre.
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THE LONELY FEW

Tony-winning sensation Lauren Patten returns to SoCal theater as a queer musician trapped in smalltown Kentucky in The Lonely Few, a Geffen Playhouse World Premiere that shifts somewhat jarringly halfway through from a dramatic play interspersed with live rock club performances into a more traditional musical in which songs take the place of dialog.
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THE HUMAN COMEDY


Smalltown America circa WWII has rarely been brought to life as charmingly and powerfully, or staged as imaginatively as it is in Actors Co-op’s captivating World Premiere adaptation of William Saroyan’s The Human Comedy.
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COME GET MAGGIE

Rogue Machine Theatre’s World Premiere 1950s sci-fi spoof Come Get Maggie has almost everything a new original musical ought to have. It’s funny, it’s quirky, it’s clever, and it’s terrifically performed. What it lacks is an infectiously hummable score.
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