BLUE


Award-winning L.A. stage star June Carryl proves herself a playwright to be reckoned with in Rogue Machine’s Blue, a ripped-from-today’s-headlines stunner now riveting audiences in the Matrix Theatre’s ultra-intimate Henry Murray Stage.
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UNRIVALED

I was often tickled but only occasionally engaged by the madcap antics and contemporary speak of the trio of 11th-century Japanese women whose friendship/enmity (frenmity?) Rosie Narasaki writes about in Unrivaled, now getting its World Premiere as a Boston Court Pasadena-Playwrights’ Arena co-production.
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DID YOU SEE WHAT WALTER PAISLEY DID TODAY?


Move over Little Shop Of Horrors. There’s a new killer musical in town and it’s Randy Rogel’s murderously clever dark-comedy gem Did You Hear What Walter Paisley Did Today?, now making its World Premiere debut at the La Mirada Theatre.
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THE LONELY FEW

Tony-winning sensation Lauren Patten returns to SoCal theater as a queer musician trapped in smalltown Kentucky in The Lonely Few, a Geffen Playhouse World Premiere that shifts somewhat jarringly halfway through from a dramatic play interspersed with live rock club performances into a more traditional musical in which songs take the place of dialog.
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THE HUMAN COMEDY


Smalltown America circa WWII has rarely been brought to life as charmingly and powerfully, or staged as imaginatively as it is in Actors Co-op’s captivating World Premiere adaptation of William Saroyan’s The Human Comedy.
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COME GET MAGGIE

Rogue Machine Theatre’s World Premiere 1950s sci-fi spoof Come Get Maggie has almost everything a new original musical ought to have. It’s funny, it’s quirky, it’s clever, and it’s terrifically performed. What it lacks is an infectiously hummable score.
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NIMROD

Criminal Minds’ Kirsten Vangsness steals every scene she’s in as our 45th president seen through a farcical Shakespearean lens in Phinneas Kiyomura’s Nimrod, a wild and wacky Theatre of NOTE World Premiere that’s a bit too all over the place to truly hit the mark.
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FINAL INTERVIEW


What starts out as a routine job interview quickly turns into a matter of life and death when a construction firm exec finds himself with a gun to his head in Gabriel Oliva’s Final Interview, an edge-of-your-seat suspense thriller that more than merits a return engagement following its all too brief five-performance run at the Pico.
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