A PUBLIC READING OF AN UNPRODUCED SCREENPLAY ABOUT THE DEATH OF WALT DISNEY

There may well be a compelling play to be written about Walt Disney’s life, but Lucas Hnath’s A Public Reading of An Unproduced Screenplay About the Death of Walt Disney is not that play.
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TRAYF


Jewish teen besties find both their Orthodox convictions and their lifelong friendship tested in 1991 New York City in Lindsay Joelle’s TRAYF, the entertaining, enlightening, thought-provoking latest from The Geffen Playhouse.
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POWER OF SAIL


The consequences are catastrophic when a respected Ivy League professor invites an infamous white nationalist to speak at Harvard in Paul Grellong’s Power Of Sail, a powerhouse Geffen Playhouse West Coast Premiere sure to have audiences talking long after the lights go out, and not just because of Bryan Cranston’s riveting lead performance and Amy Brenneman’s fiery featured turn.
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GOOD PEOPLE


Beverly Hills’ Theatre 40 gives David Lindsay-Abaire’s consistently compelling Good People an impeccably acted intimate theater revival whose only real minus is its scenic design.
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PARADISE BLUE


A nightclub owner haunted by a lifetime of demons meets a woman who spells “trouble” with a capital T in Dominique Morisseau’s Paradise Blue, the kind of noir Hollywood could have made back in the late 1940s but didn’t, an explosive West Coast Premiere at the Geffen.
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AS GOOD AS GOLD

Theatre 40 opens its 2021-2022 season with Marilyn Anderson’s As Good As Gold, a Hollywood satire not nearly as good as the solid gold cast who do their darnedest to make it shine.
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LIZASTRATA


Start spreading the news. The Troubadour Theater Company is back, live and in person at the Getty Villa, mashing up the ancient Greek comedy Lysistrata with the Troubies’ trademark blend of zany jokes, inspired adlibs (impromptu or scripted, you be the judge), snappy dance moves, and “the music of Liza Minnelli” in the cleverly redubbed Lizastrata.
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JULIUS CAESAR


Adeptly trimmed to a brisk eighty minutes by Theatricum Botanicum legend Ellen Geer and filled with as much action as it is with political intrigue, William Shakespeare’s Julius Caesar adds up to classical theater as thrillingly staged as it is easily accessible to 21st Century audiences.
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