SPIN


Maryland governor Ben Wiley’s approval rating is down to 32% following an
incident in which he “copped a quick feel” in his private office in the State house. 
It was a setup, he tells gubernatorial advisor/“miracle worker” Billy Dodge. She was
wearing no bra and “they were hanging there like ripe fruit.”  What was a
governor to do?
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DANGEROUS CORNER


Theatre 40’s revival of Dangerous Corner, J.B. Priestley’s 1932 London and Broadway mystery thriller, is both a well realized period play, with attention paid to costumes, hair, and set design, and a surprisingly modern piece of theater with plot twists any contemporary playwright would be proud of. Fast paced, well acted and directed, and authentically designed to take the audience back seventy-five years, Dangerous Corner is a suspenseful and conversation-provoking treat.
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THE COUNT OF MONTE CRISTO

NOT RECOMMENDED

The Sight Unseen Theatre Group is one of my favorite local companies.  Their
Quarterlife made my “Best of” lists for World Premiere Play, Intimate Theater Play,
and Ensemble.  A Year Without Spring, directed by Andy Mitton, was another
fine world premiere drama, with outstanding performances (particularly by Eric
Bloom and Michael Laurino).  Then, in a complete turnabout, Sight Unseen put
on a musical, Stephen Sondheim’s Assassins, with AYWS director Mitton wearing
a much different hat, as musical director, Quarterlife star Clark Freeman in the
band, and sets and lighting co-designed by Sam Roberts.  Once again, a Sight
Unseen production made my “Best of” list, this time for Intimate Theater
Musical,   Now, Roberts, Freeman, and Mitton have combined forces again for
yet another challenge, that of fashioning a 99-seat theater production of
Alexandre Dumas’ classic adventure novel The Count of Monte Cristo, adapted
for the stage and directed by Roberts.
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