COULD I HAVE THIS DANCE?
Wednesday, February 3rd, 2010RECOMMENDED
To the outside world, sisters Monica and Amanda would seem to have it made. They’re attractive, successful 30something businesswomen with active sex and/or love lives. Together they run Grapevine, the successful showbiz p.r. firm passed down to them by their mother Jeannette. Monica has a long-term boyfriend who adores her, while Amanda prefers to play the field dating much younger men on a one-night-stand basis. What could possibly be wrong with this picture?
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IN THE COMPANY OF JANE DOE
Thursday, January 14th, 2010
When was the last time you saw a surreal screwball comedy about human cloning? Tiffany Antone’s In The Company Of Jane Doe is just that play, and as might be expected from the preceding description, quite a unique concoction it is. Though Antone’s decidedly unusual blend of the nutty and the bizarre does lose momentum in its second act and may leave you scratching your head as you exit the theater, its wild and crazy cast of characters, imaginative design, and terrific performances make it well worth a look-see.
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THE BROWNING VERSION
Saturday, January 9th, 2010
By 2010 standards, not much happens over the course of The Browning Version’s seventy-five minutes, an hour and a quarter which unrolls in real time one evening in the sitting room of an English schoolteacher’s flat.
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SIX DEGREES OF SEPARATION
Friday, January 8th, 2010
I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation. Between us and everybody else on this planet. I am bound to everyone on this planet by a trail of six people. It’s a profound thought.”
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AN OAK TREE
Wednesday, January 6th, 2010
A grieving father confronting the driver responsible for his 12-year-old daughter’s death is a premise almost certain to create gripping theater. It’s hard to imagine a loss greater than a parent’s of a child, or a greater feeling of culpability than that of a person who has caused a child’s death. It’s not surprising, therefore, that Tim Crouch’s An Oak Tree proves gripping theater. What makes it quite out of the ordinary is its unusual format, one absolutely deserving to be called “unique.”
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SOUTHERN COMFORTS
Tuesday, December 1st, 2009RECOMMENDED
When was the last time you saw a romantic comedy about a couple of 70somethings who fall head-over-heels in love? Maybe never? If so, playwright Kathleen Clark remedies this omission in Southern Comforts, now getting its West Coast premiere in an entertaining, well-acted production at Theatre 40.
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EQUIVOCATION
Tuesday, November 24th, 2009
Imagine if you will that on or about the one-year anniversary of 9/11, an emissary from the President Of The United States visited the most popular contemporary American filmmaker (insert whatever name you wish here) with an order—that a movie be made about the events leading up to the terrorist attack on the Twin Towers, a movie which would place the blame on Saddam Hussein and his “weapons of mass destruction.” The President, continues his envoy, has himself written a draft of the screenplay, and our filmmaker needs only spice it up with some dialog—and with witches thrown in for good measure. (Oh, and the President can’t be in the flick.) The filmmaker knows that if he makes the movie the President is demanding, he will be telling a deliberate lie, as well as demonizing “enemies” who just may be blameless. On the other hand, to refuse the President’s demands will mean being accused of treason, and punished accordingly.
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THE VALUE OF NAMES
Monday, November 16th, 2009
Academy Award buffs will recall a dramatic moment in the 1999 Oscar ceremony when 89-year-old Elia Kazan, two-time Best Director winner (for Gentleman’s Agreement and On The Waterfront), was awarded a special lifetime achievement Oscar. Though Warren Beatty, Kathy Bates, Karl Malden, Meryl Streep and Helen Hunt were among those who gave Kazan a standing ovation, others like Nick Nolte and Ed Harris remained seated, not joining in the applause. Nolte, Harris, and those who shared their disapproval of the Academy for honoring Kazan remained unforgiving of the octogenarian director for having named names at the House Un-American Activities Committee in 1952. Even forty-seven years later, Kazan’s decision to aid and abet the blacklisting of some two hundred artists for alleged Communist connections was one that could not be forgotten.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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