LONDON’S SCARS
Saturday, May 15th, 2010
Two scarred Londoners take center stage in award-winning playwright Richard Martin Hirsch’s latest, the current-as-today’s-headlines London’s Scars, now in its World Premiere engagement as a guest production at West L.A.’s Odyssey Theatre.
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TROG AND CLAY: AN IMAGINED HISTORY OF THE ELECTRIC CHAIR
Thursday, April 29th, 2010
Michael Vukadinovich’s Trog And Clay: An Imagined History Of The Electric Chair may well be one of the funniest plays ever written about actual events, the ingenious playwright having turned the rivalry between electricity pioneers Thomas Edison and George Westinghouse (which led to the first ever execution by electrocution in the U.S.) into a hilarious fact-based absurdist historical farce.
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STARMITES
Saturday, April 24th, 2010
Here’s a trivia question for all you musical theater buffs out there. Name a Broadway musical (within the last quarter century) nominated for six Tony awards including Best Musical—that absolutely no one has heard of.
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THE BLUE ROOM
Sunday, April 11th, 2010RECOMMENDED
Austrian playwright Arthur Schnitzler’s 1900 play La Ronde so shocked the early 20th Century European theatrical world that it didn’t get its first public performance until 1920, and even then the play (and Schnitzler) were roundly attacked by critics and theatergoers alike. Hardly surprising, considering its plot—a sequence of not two or three, but ten sexual encounters. No matter that the most the play showed was a bit of foreplay, the actual sex taking place entirely in the audience’s imagination during brief blackouts. It was too much for Europe, let alone America, to take.
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THE DRAWER BOY
Wednesday, April 7th, 2010
In the early 1970s, a group of Canadian actors traveled to rural South Ontario to interview local farmers and their families about their lives, and the result was a theatrical event called The Farm Show. Twenty-five years later, one of those actors, Michael Healey, wrote a play about what this experience had meant to him. His resulting 1999 dramedy The Drawer Boy has since become a regional theater favorite, and the nigh-on perfect production now playing at Beverly Hills’ Theatre 40 makes it clear just why The Drawer Boy has tickled so many fancies and touched so many hearts.
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URINETOWN
Saturday, March 27th, 2010
Musicals with one-word titles are a grand Broadway traditon. There’s Annie, Brigadoon, Cabaret, Dreamgirls, Grease, Hair, Kismet, Mame, Oklahoma!, Oliver!, Pippin, and Rent—to name just a dozen. Still, neither Rodgers and Hammerstein nor Jerry Herman nor Lerner and Lowe could ever in their wildest of dreams have conceived of titling a musical Urinetown. From its one-of-kind title alone, you know from the get-go that Urinetown is not going to be your parents’ or grandparents’ musical.
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A FUNNY THING HAPPENED ON THE WAY TO THE FORUM
Saturday, March 20th, 2010
What a difference a director, a cast, and an orchestra can make! The Reprise! Theatre Company production of A Funny Thing Happened On The Way To The Forum is the third I’ve reviewed in less than two years, and though numbers one and two were each excellent in their own way, David Lee’s direction, an all-Equity cast, and a 22-piece orchestra elevate this Forum to a whole new level of brilliance.
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A GIANT ARC IN THE SKYCAPE OF DIRECTIONS
Thursday, March 18th, 2010
Playwright Michael Vukadinovich takes a half dozen or so Biblical characters and stands them on their ear in his lyrical, fantastical new play A Giant Arc In The Skyspace Of Directions Or The Story Of Miracles.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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