HUNGER: IN BED WITH ROY COHN


If you’re a theatergoer under retirement age, you probably first learned about Roy Cohn from Tony Kushner’s Angels In America, which featured the real-life anti-Communist witch-hunting AIDS-decimated, closet-case lawyer among its cast of otherwise fictional characters.

Playwright Joan Beber now gives Roy Cohn a play he can call his own, one that features supporting appearances by Roy’s mother Dora, his rumored longtime lover G. David Schine, convicted American spy Julius Rosenberg (whom Cohn made sure got sent to the electric chair), Roy’s Hispanic housekeeper Lizette, and none other than Ronald Reagan and Barbara Walters themselves, all of the above in fantasy sequences that make those in Angels In America seem positively realistic by comparison.
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WHAT THE BUTLER SAW

Here’s a quick quiz for theater aficionados:

Who can name a screwball comedy which deals with, features, or mentions all of the following: depravity, disguises, gender identity, the government, hanky-panky, hermaphroditism, homosexuality, incest, insanity, marriage, mistaken identities, nymphomania, pederasty, psychiatry, rape, religion, reunited orphan siblings, slapstick, and transvestitism?

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PLAY IT AGAIN, SAM


Woody Allen is back on screen—and better than ever—in his critically acclaimed box-office smash Midnight In Paris, making the Morgan-Wixson Theatre’s decision to program one of Allen’s earliest hits as part of their 2011-12 season a stroke of prescient genius. That Morgan-Wixson’s staging of Play It Again Sam, Allen’s late-1960s comedy about a Humphrey Bogart-obsessed nebbish, turns out to be quite a gem of a production is icing on the cake.
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OUR TOWN


Rare is the theatergoer who has not seen at least one, if not half a dozen productions of Our Town, Thornton Wilder’s classic bit of Americana that first astonished audiences in 1938 with its innovative storytelling, even as it told a story as old as time itself—a story of birth, and life, and love, and death.
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STATIONS: A Los Angeles Holiday Story


The gifted young artists of Boom Kat Dance Theatre, creators of the Ovation-nominated, multiple Scenie-winning Neverwonderland, are back at Santa Monica’s Miles Memorial Playhouse with the perfect Christmas gift for theatergoers in search of that illusive Holiday Spirit.
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ROSES IN DECEMBER

RECOMMENDED
A formal invitation to a class reunion is but the first of dozens upon dozens of letters exchanged between the Assistant Director of Alumni Affairs at Prescott College and one of its most celebrated graduates, renowned author Joel Gordon, in Victor L. Cahn’s Roses In December, now playing at Beverly Hills’ Theatre 40.
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THE GOD OF ISAAC


The neo-Nazi National Socialist Party Of America’s planned march through the heavily Jewish Chicago suburb of Skokie, Illinois, sends Isaac Adams on a quest to discover what it means to be a Jew in James Sherman’s hilariously original comedy The God Of Isaac, now playing at West Los Angeles’s Pico Playhouse.
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NEXT FALL


Rarely has the romantic axiom that “Opposites attract” proven more true than for the couple at the heart of Geoffrey Nauffts’ Tony, Drama Desk, and Outer Critics Circle Award-nominated Next Fall, now getting a powerful, beautifully acted West Coast Premiere at the Geffen Playhouse.
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