50 SHADES! THE MUSICAL
Wednesday, March 5th, 2014RECOMMENDED
Performances are all-around sparkling, a few of them quite impressive indeed; songs are catchy, their lyrics a mix of cleverness and four-letter-word raunch; a live band provides expert musical backup; and the cocktail-swigging, mostly female audience goes nearly as wild as they would at a bachelorette party. Still, whether or not you decide to see 50 Shades! The Musical, the often outrageously funny spoof of the phenomenally popular Fifty Shades Of Grey, will depend on your wiliness to pay as much as $85 a ticket for an under-90-minute show with all the production values of a Fringe Festival offering produced on the cheap, on the very cheap.
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NOËL COWARD’S BRIEF ENCOUNTER
Sunday, February 23rd, 2014
Married housewife Laura meets married physician Alec when a cinder gets in her eye at a London train station and he kindly removes it for her. Shared tea and conversation in the station tea room lead to another meeting, and another, until Laura and Alec can no longer deny their love, nor the knowledge that as an adulterous middle-class couple living in 1938 London, there is no possibility of a happily-ever-after.
Noël Coward’s Brief Encounter now comes to magical, imaginative, supremely theatrical onstage life as the Wallis Annenberg Center For The Performing Arts presents the Cornwall-to-London-to-Broadway-to-Beverly Hills production of Kneehigh Theatre’s Tony-nominated adaptation of David Lean’s über-romantic 1945 film classic, itself based on Coward’s one-act gem Still Life.
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PASSION PLAY
Friday, February 14th, 2014
Sarah Ruhl examines how a centuries-old theatrical tradition and the folks who take part in the spectacle year after year are affected by the epoch in which they create this annual event in Passion Play, and before you jump to the conclusion that such heavy subject matter might prove too weighty to be entertaining, remember that it’s Tony-nominated Ruhl we’re talking about.
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DEATH TAKES A HOLIDAY
Tuesday, February 11th, 2014
A gorgeous if derivative score and creaky book did not add up to off-Broadway smash status (or a Broadway transfer) for 2011’s Death Takes A Holiday, but with a cast chock-full of L.A. musical theater stars and director Calvin Remsberg providing expert guidance, Musical Theatre Guild’s first concert staged reading of 2014 garnered a deserved standing ovation this past Sunday at Santa Monica’s spiffy new Moss Theatre.
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NIGHT WATCH
Saturday, February 8th, 2014
What’s an insomnia-plagued Manhattan matron to do when she catches sight of a dead body inside the abandoned building across the street from her elegant apartment but scream, scream, and scream some more … and then call the cops? And what’s a concerned husband to do when the police investigation turns up no corpse, no fingerprints, no sign of anyone’s having entered the neighboring flat but suggest that his apparently delusional wife seek psychiatric help? And what’s an audience to do while watching Lucille Fletcher’s Night Watch but sit back and enjoy this takeoff on Gaslight, one whose surprise twist ending I’m absolutely itching to reveal here … but won’t.
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BELFRY
Sunday, February 2nd, 2014
A lonely Irish sacristan looks back on the brief shining moments in his life when he loved another man’s wife in Billy Roche’s exquisite gem of a memory play, Belfry, at last getting its West Coast Premiere at a revitalized Malibu Playhouse under the assured, nuanced direction of Veronica Brady.
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THE ODD COUPLE (FEMALE VERSION)
Monday, January 20th, 2014
Oscar becomes “Olive” and Felix “Florence” as the classic Neil Simon comedy The Odd Couple takes on a distinctively distaff tone at Santa Monica’s Morgan-Wixson Theatre in a production of The Odd Couple (Female Version) so all-around topnotch, you’ll be asking yourself, “Can this possibly be community theater?”
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BECKY’S NEW CAR
Sunday, January 12th, 2014
“When a woman says she wants new shoes, what she really wants is a new job. When she says she wants a new house, what she really wants is a new husband. And when she says she wants a new car, what she really wants is a new life.”
Imparting these words of wisdom is Rebecca (Becky) Foster, middle-aged wife and mother and the title character of Steven Dietz’s Becky’s New Car, Kentwood Players’ terrific 2014 opener at the Westchester Playhouse.
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