VICUÑA

A $110,000 vicuña wool suit may be all that stands between business tycoon-turned-reality TV host-turned Republican Presidential nominee Kurt Seaman and the White House in Jon Robin Baitz’s ripped-from-today’s-headlines Vicuña, a Kirk Douglas Theatre World Premiere drama that proves as hilarious as it is gripping and talk-provoking.
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THE MODEL APARTMENT

Though likely to prove a considerably harder sell than the playwright’s more audience-friendly later works, Pulitzer Prize-winner Donald Margulies’ 1988 The Model Apartment has been given a Geffen Playhouse intimate revival worth seeing for its all-around superb performances, direction, and design.
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FOR THE RECORD: SCORSESE – AMERICAN CRIME REQUIEM

L.A.’s uber-popular For The Record franchise once again dazzles, this time with an absolutely stunning Broadway-scale, Broadway-caliber For The Record: Scorsese – American Crime Requiem at Beverly Hills’ sumptuous Wallis Annenberg Theatre.
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BARBECUE

Trailer trash knows no color in the sordid lives brought to booze-chugging, drug-snorting, profanity-spewing life in Barbecue, Robert O’Hara’s outrageously twisted, hysterically funny new comedy now making its West Coast debut at the Geffen Playhouse, and that’s just Act One.
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DRAMA QUEENS FROM HELL

NOT RECOMMENDED

Significant trimming and tweaking is needed to make Peter Lefcourt’s Hollywood-spoofing Drama Queens From Hell the comedy hit it aspires to be despite some occasional insider hilarity and several deliciously scene-stealing performances.
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NEXT TO NORMAL

The 99-seat Pico Playhouse proves a just-right setting for a compelling, powerfully-performed intimate staging of Tom Kitt and Brian Yorkey’s Next To Normal, one of only nine musicals in Broadway history to have won the Pulitzer Prize.
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GO BACK TO WHERE YOU ARE

There’s a whole lot of fourth-wall-breaking going on in Go Back To Where You are, David Greenspan’s magical seventy-five minute bit of meta-theatrical romance and whimsy now getting an admittedly brain-challenging but absolutely captivating West Coast Premiere by the Odyssey Theatre Ensemble.
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THE IMAGINARY INVALID

Theatricum Botanicum legend Ellen Geer follows her 2014 Queen Lear with another gender-bending star turn, this time as Molière’s Malade Imaginaire, aka The Imaginary Invalid, Constance Congdon’s 21st-century adaptation turning a three-and-a-half-century-old farce into a playfully raunchy laughfest that would do Mel Brooks proud.
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