YELLOW FACE
Saturday, August 18th, 2018
Tony-winning playwright David Henry Hwang blurs fact and fiction in the most devilishly clever of ways while tackling issues of racism and race in his 2007 off-Broadway hit Yellow Face, now provoking gales of laughter, plenty of post-performance discussion, and an unexpected tear or two at Beverly Hills Playhouse.
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THE CRUCIBLE
Monday, August 13th, 2018
The Topanga hills prove the ideal setting for Theatricum Botanicum’s gut-punchingly powerful revival of Arthur Miller’s The Crucible, the first of the six Crucibles I’ve seen to get everything right.
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HAITI
Monday, July 30th, 2018
Theatricum Botanicum breathes new life into William DuBois’ swashbuckling historical soap opera Haiti, giving the long-forgotten look back at the Haitian Revolution its very first production—and a rip-roaring one at that—since the New Deal-funded melodrama made theatrical history in 1938 by featuring a black-and-white cast performing side by side on a Harlem stage.
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SCREWBALL COMEDY
Friday, July 27th, 2018
If Ben Hecht and Charles MacArthur (The Front Page, Twentieth Century) were alive today, they might have written Screwball Comedy, a Norm Foster/Theatre 40 gem that more than does justice to the genre whose name it bears.
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MUTT HOUSE
Thursday, July 19th, 2018
I defy anyone to resist the canine charmers of Mutt House, or their human companions, or the songs, or the laughter, or the romance, or the heart of this Kirk Douglas Theatre guest production, as gem-perfect an L.A. World Premiere musical as I’ve seen in at least a dog’s year.
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LYSISTRATA UNBOUND
Thursday, July 12th, 2018
Drama, dance, and Greek-style tragedy merge in Lysistrata Unbound, playwright Eduardo Machado and director-choreographer John Farmanesh-Bocca’s stunning reenvisioning of Aristophanes’ 2400-year-old tale of a woman who takes antiwar protests to a decidedly personal level.
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MARY POPPINS
Sunday, July 1st, 2018
Santa Monica’s Morgan-Wixson Theatre delivers the family entertainment goods with a supercalifragilisticexpialidocious Mary Poppins, once again proving that you don’t need Broadway-budget spectacle to get audiences cheering.
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SWEET CHARITY
Friday, June 22nd, 2018
Three-time Tony-winner Kathleen Marshall and Broadway’s original Elle Woods team up with some of L.A.’s finest musical theater talents as Reprise 2.0 treats audiences to Sweet Charity, both the 1966 Neil Simon-Cy Colemen-Dorothy Fields gem and the irrepressibly plucky title character brought to irresistible life by a sensational Laura Bell Bundy on the UCLA Freud Playhouse stage.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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