BUS STOP

No one wrote about 1950s middle-America more accurately, astringently, and affectionately than “Playwright of the Midwest” William Inge, proof positive of which can now be seen in Theatre 40’s absolutely terrific revival of Inge’s 1955 gem. (read more)

FINKS

Joe McCarthy’s Communist witch hunts and the ensuing Hollywood blacklist may have seemed misty water-colored memories of sixty-year-old injustices when Joe Gilford’s Finks made its off-Broadway debut in the Obama-era early 2010s. Such is not the case a half dozen-years later, just one of many reasons not to miss its searing Los Angeles Premiere at Rogue Machine Theatre.
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OPPENHEIMER

Epic in scope. As cinematic as it is theatrical. A lesson in history and a cautionary tale for future generations. Tim Morton-Smith’s monumental bio-drama Oppenheimer is all this and a spectacular achievement for Rogue Machine Theatre in its American Premiere.
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STEAMBATH

Six towel-clad men and one similarly draped young woman kvetch about the insignificant lives they have left behind as they await who knows what lies ahead in Bruce Jay Friedman’s Steambath, an only fitfully diverting Odyssey Theatre Ensemble revival of a 1970 off-Broadway play that, even with Anthony Perkins as its star, couldn’t manage to make it past 128 performances.
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CHARLES DICKENS’ A CHRISTMAS CAROL

A New York-based director, star, and production design team have joined forces to bring Charles Dickens’ A Christmas Carol to spectacular solo-performance life at the Geffen Playhouse.
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QUACK

Allegations of medical advice turned fatal threaten to destroy TV’s most beloved physician in Eliza Clark’s Quack, a Center Theatre Group World Premiere that proves as hilarious as it is timely as it is button-pushing and thought-provoking.
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26 PEBBLES

Playwright Eric Ulloa puts a personal face on fourth-deadliest mass shooting by a single person in U.S. history and the deadliest ever at a high school or grade school in his riveting, touching, inspiring 26 Pebbles, Beverly Hills’ Theatre 40 at its most risk-taking and cutting-edge.
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SHE LOVES ME

Feuding co-workers who’ve no idea they’re secretly in love with each other make for romantic musical comedy magic in the 1963 Broadway classic She Loves Me, Morgan-Wixson Theatre’s delightful 2018-2019 season opener.
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