KEY LARGO
Saturday, November 16th, 2019
The Geffen Playhouse reboots a 1948 black-and-white movie classic live in living color in Jeffrey Hatcher and Andy Garcia’s rip-roaring World Premiere stage adaptation of the Bogie-&-Bacall suspense thriller Key Largo, directed with abundant flair by Tony winner Doug Hughes.
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THE DROWSY CHAPERONE
Monday, October 7th, 2019
A veritable who’s who of Morgan-Wixson Theatre regulars, a director on a roll, and a crackerjack team of production designers join forces to make Broadway’s The Drowsy Chaperone the all-around best Morgan-Wixson musical I’ve reviewed since first raving about their Thoroughly Modern Millie back in 2009.
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MISS LILLY GETS BONED
Sunday, October 6th, 2019
A 35-year-old Sunday School teacher who’s saving herself for Hugh Grant. A man who might just be the next best thing to Hugh. A child grieving his mother’s recent death. An elephant guilty of murder. A doctor given a week to tame this lethal beast. Stir in a sexually hyperactive younger sister and you’ve got Bekah Brunstetter’s latest theatrical gem, Miss Lilly Gets Boned, freshly revised from its 2010 World Premiere for its 2019 Rogue Machine West Coast debut.
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SKINTIGHT
Saturday, September 14th, 2019
Playwright Joshua Harmon (Bad Jews, Significant Other) is back at the Geffen with the uproariously funny, unexpectedly touching Skintight, a star vehicle if there ever was one for its wickedly talented leading lady.
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WITCH
Sunday, September 1st, 2019
Is there something you want so badly that you’d give up your soul to get it? That is the question Jen Silverman poses in Witch, her devilishly clever, deliciously laugh-packed, decidedly dark look at gender, class, and the future of life as we know it, set way back in Jacobean England but told in a vernacular as contemporary as the latest Netflix hit.
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MOBY DICK – REHEARSED
Tuesday, August 27th, 2019
With metatheatrical stage adaptations of literary classics almost as commonplace today as cell phones and email, Orson Welles’ Moby Dick — Rehearsed feels like it could have been written last week and not way back in 1955. It’s also as thrilling a production as I’ve seen at Will Geer’s Theatricum Botanicum.
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THE SKIN OF OUR TEETH
Monday, August 12th, 2019
Climate change, natural disasters, cataclysmic war, and a leading lady who steps out of character to inform the audience that she doesn’t understand a word of the play in which she’s appearing. What must 1942 theatergoers have made of Thornton Wilder’s The Skin Of Our Teeth?
Check out Theatricum Botanicum’s zesty 2019 revival and savor for yourself this Greek Mythology-meets-The Bible-meets-Ancient History-inspired 20th-century classic, as charming as it is mind-blowing and as terrifically directed and performed as any Wilder fan could wish for.
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A MIDSUMMER NIGHT’S DREAM
Friday, August 9th, 2019
There’s no more bewitching way to spend a midsummer night than under the stars at William Shakespeare’s A Midsummer Night’s Dream, a quarter-century Theatricum Botanicum tradition.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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