THE SKIN OF OUR TEETH

Climate change, natural disasters, cataclysmic war, and a leading lady who steps out of character to inform the audience that she doesn’t understand a word of the play in which she’s appearing. What must 1942 theatergoers have made of Thornton Wilder’s The Skin Of Our Teeth?

Check out Theatricum Botanicum’s zesty 2019 revival and savor for yourself this Greek Mythology-meets-The Bible-meets-Ancient History-inspired 20th-century classic, as charming as it is mind-blowing and as terrifically directed and performed as any Wilder fan could wish for.
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A MIDSUMMER NIGHT’S DREAM

There’s no more bewitching way to spend a midsummer night than under the stars at William Shakespeare’s A Midsummer Night’s Dream, a quarter-century Theatricum Botanicum tradition.
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AN ENEMY OF THE PEOPLE

Ellen Geer updates Henrik Ibsen’s An Enemy Of The People to 1980 and Americanizes it to South Fork, South Carolina in a problematic World Premiere adaptation that would probably work better if its Theatricum Botanicum cast didn’t have a week off between each performance.
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TWELFTH NIGHT

William Shakespeare’s star-crossed twins, mismatched lovers, and zany fools are as star-crossed, mismatched, and zany as ever this summer at Theatricum Botanicum, but this time round they burst into song in Ellen Geer’s enchanting Twelfth Night under Topanga skies.
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RENOVATIONS FOR SIX

Act One could stand a trim, but once its cast of characters get together for post-intermission cocktails, Norm Foster’s Renovations For Six ends up among the Canadian comedy master’s most rewarding creations … and a terrifically acted Theatre 40 gem to boot.
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FRIENDS! THE MUSICAL PARODY

Fans of a certain 10-season-long NBC sitcom smash are more likely than not to enjoy Friends! The Musical Parody, a touring guest production at Culver City’s Kirk Douglas Theatre.
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THE WEDDING SINGER

Having recently spoofed the ’60s with Little Shop Of Horrors, Santa Monica’s Morgan-Wixson Theatre now treats audiences to the adroitly concocted blend of music, comedy, and 1980s nostalgia that is Chad Beguelin, Tim Herlihy, and Matthew Sklar’s The Wedding Singer.
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LOOT

Director Bart DeLorenzo and a mostly English cast get bad-boy Brit Joe Orton abso-bloomin’-lutely right in Loot, the provocative, hilarious latest from Odyssey Theatre Ensemble.
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