MATILDA THE MUSICAL

Combining hilarity and heart in the most endearingly entertaining of holiday-season treats, Matilda The Musical makes it three smash hits in a row for Actors’ Repertory Theatre Of Simi.
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THE MUSIC MAN

Adam Pascal’s charismatic star turn as Harold Hill is the best of at least 76 reasons why 5-Star Theatricals’ The Music Man gives Broadway some pretty stiff competition.
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THE DROWSY CHAPERONE

Hot on the heels of their sensational A Gentleman’s Guide To Love And Murder, The Drowsy Chaperone makes it two big winners in a row for Actors’ Repertory Theatre Of Simi with performances to rival those of the original Broadway and touring casts.
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WEST SIDE STORY

Inspired direction and innovative choreography reign supreme as 5-Star Theatricals revives and reinvigorates West Side Story, the 1957 Broadway classic about a boy and girl from rival teen gangs (one white, one Puerto Rican) who fall hopelessly in love on the mean streets of New York.
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A GENTLEMAN’S GUIDE TO LOVE AND MURDER

Lead performances to rival those of the original Broadway and touring casts and an ingeniously scaled-down production design are two very good reasons not to miss the hilarious salute to homicide that is Actors’ Repertory Theatre Of Simi’s A Gentleman’s Guide To Love And Murder, the murderously mirthful quadruple-Tony-winning Best Musical of 2014.
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MATILDA THE MUSICAL

Deliciously daffy lead performances, a couple of equally splendid but darker-hued star turns, an awesomely talented child ensemble, and one of the cleverest and most tuneful scores to cross the pond in recent years make 5-Star Theatricals’ Matilda The Musical worth catching despite consistent sound-mixing problems that too often made Dennis Kelly’s book and Tim Minchin’s lyrics difficult if not impossible to decipher on Opening Night.
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NEWSIES

Newsies makes its entertaining community theater debut at Simi Valley Cultural Arts Center as Actors’ Repertory Theatre Of Simi premieres its enthusiastically performed, proudly pro-labor 2019 season opener.
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SOUTH PACIFIC

Intimacy isn’t a word normally associated with the Rodgers & Hammerstein’s South Pacific, just one reason the 200-seat Rubicon Theatre Company’s two-piano revival is a December must-see. Others are its superb quartet of lead performers, an all-around terrific supporting cast, direction by a gifted young Brit, refreshingly original choreography by a SoCal star, and a simply gorgeous production design, all of which more than do justice to a 20th-century American musical theater classic.
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