JEKYLL & HYDE
Sunday, March 9th, 2008
What a difference a director makes! Cabrillo Music Theatre’s production of
Jekyll & Hyde towers over all others, including FCLO’s excellent revival just five
months ago, and the #1 reason can be summed up in a single name: Nick
DeGruccio. Following his brilliant direction of The Last Five Years, Beehive, and
Zanna Don’t (all of them cited on StageSceneLA’s Best Of The Year lists),
DeGruccio now does quite possibly his best work yet, taking a show which
detractors have called “bombastic” and “boring” and electrifying it, clarifying
its themes, heightening its drama, and above all making it human. These are
real people we are seeing on stage, from its trio of star roles (or should that be
quartet?) to even the bit players at The Red Rat, in St. Jude’s Hospital, or on
the streets of London.
(read more)
BUS STOP
Sunday, February 24th, 2008
William Inge is perhaps best known for a pair of plays about life in the American
Midwest in the 1950s. Picnic tells of a frustrated small town girl who falls for a
handsome drifter. Its companion piece, Bus Stop, is about a naïve cowboy
who loses his head over a “chanteuse” with a past. Both became popular
films and gave blonde bombshells Kim Novak and Marilyn Monroe rare
chances to prove that they were actresses and not just glamour girls. Both
Picnic and Bus Stop continue to be favorites of community and regional
theaters, with the latter now getting a first-rate staging at the Rubicon in
Ventura.
(read more)
AIN’T MISBEHAVIN’
Saturday, January 5th, 2008
Five terrifically talented singers, a virtuoso piano player, and a sensational
onstage band combine forces with the music of Fats Waller to get the joint (i.e.
the Thousand Oaks Civics Arts Plaza) jumpin’ in Ain’t Misbehavin’, the
Southland’s first CLO production of 2008. If this show is any indication, this looks
to be the start of a fantastic year of musical theater for Angelenos.
(read more)
LOVE SWEET LOVE
Tuesday, December 4th, 2007
Burt Bacharach and Hal David’s greatest hits comprise several dozen of the
most memorable songs of the 1960s. Beginning before the British invasion and
continuing through their 1968 Broadway smash Promises, Promises, Bacharach
and David wrote some of the most timeless hits of the decade. Bacharach’s
melodies and rhythms were complex but accessible and David’s lyrics told stories
that listeners could easily identify with.
(read more)
YOU CAN’T TAKE IT WITH YOU
Saturday, November 17th, 2007
Kaufman and Hart’s 1930s You Can’t Take It With You is probably my all-time
favorite comedy classic, and any chance to see a production of it is one I can’t
pass up. In years past I’ve seen excellent revivals by (among others) the Colony,
Actors Co-Op, and the Geffen, and I’ve watched the video of the 1983 Broadway
revival more times than I can count. I even got to fulfill an actor’s dream by
portraying Mr. Kolenkhov at the Center Theater in Whittier earlier this year. Thus,
you can imagine what a treat it was for me to see the Rubicon Theatre
Company’s production of this screwball gem.
(read more)
SEVEN BRIDES FOR SEVEN BROTHERS
Sunday, October 28th, 2007
Cabrillo Music Theatre begins its 2007-8 season with a tunefully winning production of
Seven Brides for Seven Brothers. 7Brides47Bros is of course best known as the 1954
MGM musical classic, which starred Howard Keel as Adam, a mountain man in
search of a wife, and Jane Powell as Milly, who accepted his proposal not knowing
that there were six more manly men at the homestead. Debby Boone undertook
the role of Milly in the short lived (opened on Thursday, closed on Sunday) 1982
Broadway production, which has since become a regional theater favorite (recently
staged by Fullerton CLO). Though perhaps not deserving of a loooooong Broadway
run, 7Brides47Bros is still a far more enjoyable experience than its brief Broadway stay
would indicate, and Cabrillo, blessed with about as fine a leading man and lady as
the show could boast and an ensemble more than up to the challenges of John
Charron’s Michael Kidd inspired choreography, has a winner on its hands.
(read more)
A DELICATE BALANCE
Thursday, September 27th, 2007
Ventura’s esteemed Rubicon Theatre Company follows its cute and funny
world premiere of Bad Apples with a quite memorable indeed revival of
Edward Albee’s Pulitzer Prize winning musings on the nature of family and
friendship, A Delicate Balance. The title refers to the delicate balance
maintained by a suburban WASP couple in their marriage and home life. This
Rubicon production is a perfect example of theatrical balance; everything,
performances, direction, and design have come together to create about
as fine a production of Albee’s contemporary classic as can be imagined.
(read more)
THE MYSTERY OF EDWIN DROOD
Sunday, September 23rd, 2007
The members of the Musical Theatre Guild are musical theater magicians. How
else could they create musical theater magic in just 25 hours of rehearsal time?
They’ve done it again, with a delightful, tuneful (book in hand and sans sets but
otherwise pretty much fully staged) production of Rupert Holmes’ The Mystery of
Edwin Drood (based on Charles Dickens’ unfinished novel). Their first of two
performances (at the Alex in Glendale last Monday) happened to coincide with
the mammoth Chess benefit, but I was able to catch yesterday’s reprise
performance at the much more intimate Janet & Ray Scherr Forum in Thousand
Oaks, which was a treat for the ears and the eyes.
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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