LITTLE SHOP OF HORRORS


Audrey II, the “strange and interesting plant” that made his/her/its? first appearance way back in Roger Corman’s 1960 Z-movie classic, is back, newly arrived in Thousand Oaks for a two-week visit with much voracious munching on his/her/its cannibalistic mind—and you all know what that means. “They may offer you lots of cheap thrills, fancy condos in Beverly Hills, but whatever they offer you, don’t feed the plants!”
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TRYING


There are times when all it takes is two actors to fill a stage, to fill it with humor and drama and heart. Trying, Joanna McClelland Glass’s much-loved two-hander, provides a pair of actors with just such an opportunity to shine. 

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WHITE CHRISTMAS


Cabrillo Music Theatre’s December gamble—a four-day, seven-performance post-Christmas staging of Irving Berlin’s White Christmas—has paid off in a terrific production, directed with imagination and flair by Todd Nielsen and starring some of the Southland’s finest triple-threat talents.
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A RUBICON FAMILY CHRISTMAS


A Rubicon Family Christmas is back for a second year with most of its sensational 2008 cast intact, good tidings indeed for Ventura residents and Angelinos alike. Even better news for those who saw and loved last December’s concert (but may have reservations about seeing it a second time) is that almost half its songs are new for 2009, making this hour-and-a-half of holiday favorites must-see Christmas entertainment for absolutely everyone in search of holiday cheer. Though L.A. stages will soon be filled with A Christmas Carols and holiday-themed comedies galore, the Rubicon is the place to go for music of the season, especially as performed by six of the finest musical theater talents the Southland has to offer.
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GUYS AND DOLLS


If you want to know why Cabrillo Music Theatre was the most honored company at last year’s Ovation Awards ceremony, winning six crystal trophies for their productions of Jekyll & Hyde and Singin’ In The Rain, check out their equally award-worthy revival of Frank Loesser’s Broadway classic Guys And Dolls. With musical theater director extraordinaire Nick DeGruccio at the helm, Broadway-worthy choreography by Roger Castellano, an all-around terrific cast of twenty-nine, and a sensational design team, this Guys And Dolls proves just how great CMT has become under President/CEO Carole W. Nussbaum and artistic director Louis Wilkenfeld.
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DADDY LONG LEGS


Jean Webster’s 1912 novel Daddy-Long-Legs, a favorite children’s book for nearly a hundred years now, has been turned into an exquisite gem of a musical, and one not just for youngsters. In fact, it’s hard to think of another musical so absolutely right for ages eight to eighty. In the inspired hands of composer-lyricist Paul Gordon and writer-director John Caird, the Rubicon Theatre’s production of Daddy Long Legs proves to be one of the most enthralling, entertaining, and moving love stories I’ve seen on the American musical theater stage.
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THE BEST IS YET TO COME: THE MUSIC OF CY COLEMAN


City Of Angels, Sweet Charity, Little Me, Seesaw, On The Twentieth Century, I Love My Wife, The Will Rogers Follies, Barnam. 

“Big Spender,” “It’s Not Where You Start,” “There’s Gotta Be Something Better” “Hey, Look Me Over,” Witchcraft,” “The Best Is Yet To Come.”

What do these Broadway shows and hit songs have in common? The answer in two words is Cy Coleman, composer, songwriter, and jazz pianist extraordinaire.
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42nd STREET


Fill in the blank: “Come and meet those dancing feet, on the avenue I’m taking you to, _____.” If you come up with any answer other than “42nd Street,” the time has come for you to acquaint yourself with “naughty, bawdy, gaudy, sporty” 42nd Street (the musical)—and there’s no better place to do so than at Cabrillo Musical Theatre and no better time than now.
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