PARADISE

A Columbia University professor reduced to teaching science in an overcrowded, underfunded Bronx high school and a Muslim-American student with dreams far loftier than her Yemeni immigrant family are likely ever to allow. From these two disparate, desperate souls, Laura Maria Censabella has written Paradise, as intelligent, thought-provoking, compelling, heartbreaking, and satisfying a two-hander as I’ve seen in a good long while.
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YES, VIRGINIA

Mindy Sterling and Arnetia Walker do some late-ish-in-life female bonding on New Year’s Eve in Stan Zimmerman and Christian McLaughlin’s feel-good holiday two-hander Yes, Virginia, the latest from Pop-Up Playhouse.
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THE GIN GAME

Real-life marrieds Alan Blumenfeld and Katherine James give bravura performances as a pair of nursing home residents for whom a simple game of cards could spell either an end to solitude or a continuation of a lifetime of loneliness in Sierra Madre Playhouse’s pitch-perfect revival of D.L. Coburn’s 1978 Pulitzer Prize winner The Gin Game.
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PLUNGE


Long-buried secrets of power, passion, and perversion propel Plunge, the first installment of Tom Jacobson’s concurrently running Bimini Baths Trilogy, as provocative a World Premiere play as you’re likely to experience any time soon.
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UNEMPLOYED ELEPHANTS – A LOVE STORY

Playwright Wendy Graf proves herself as adept at the romcom two-hander as she is at her dark, dramatic solo pieces in Unemployed Elephants – A Love Story, a Victory Theatre World Premiere sparked by Maria Gobetti’s deft direction and a couple of couldn’t-be-better leads.
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A WALK IN THE WOODS

The Cold War arms race provides the heady backdrop for the latest Actors Co-op gem, Lee Blessing’s 1988 Pulitzer Prize finalist A Walk In The Woods.

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LEMONS LEMONS LEMONS LEMONS LEMONS

Brynn Alexander and Philip Asta ace two of the year’s most uniquely demanding roles, aided and abetted by Cricket S. Myers’ and Matt Richter’s spectacularly detailed sound and lighting designs, in the United States Premiere of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons. If only Steiner’s vision of a dystopian future in which speech is limited to a hundred-forty words a day didn’t defy credibility and logic at every turn.
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THE WOMAN IN BLACK

Theatre Unleashed offers Halloween season audiences an entertaining and occasionally shiver-and-gasp-worthy intimate staging of the three-decades-long-running West End smash “ghost play” The Woman In Black minus the full quotient of horror-movie chills a bigger-bucks production could provide.
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