REEFER MADNESS
Saturday, April 11th, 2026
Women cry for it, men die for it, and the audience goes wild for it in Wisteria Theater Company’s wickedly entertaining take on Reefer Madness The Musical, Kevin Murphy and Dan Studney’s tuneful stage adaptation of what is surely one of the worst movies ever made.
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SOMEBODY TO LOVE
Tuesday, April 7th, 2026
Four college besties set off on a decades-long journey through life at the Rubicon Theatre in Somebody To Love, a crowd-pleasing World Premiere jukebox musical that with some script tweaking could have legs on the regional theater circuit.
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THE MESSENGER
Monday, April 6th, 2026Real-life Holocaust survivor Georgia Gabor’s life is interwoven with those of three fictional women created by playwright Jenny Connell Davis in The Messenger, an impressively acted and staged Chance Theater production best suited to those who don’t mind being reminded how much hate there is in the world.
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THE BAPTIST WITCHES OF SHELBYVILLE
Saturday, April 4th, 2026A trio of Tennessee sisters in their early 40s reunite for an entertaining albeit largely uneventful 4th Of July weekend back home in Julie Shavers’ World Premiere Southern Gothic comedy The Baptist Witches of Shelbyville, now playing once a weekend at the Whitefire Theatre.
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AMERIKA OR, THE MAN WHO DISAPPEARED
Tuesday, March 31st, 2026
Writer-director Dietrich Smith takes a young German immigrant on the journey of a lifetime in his stage adaptation of Franz Kafka’s Amerika or, The Man Who Disappeared, the year’s most exhilarating theatrical adventure ride.
DEATH OF A SALESMAN
Monday, March 30th, 2026
Geoff Elliott’s magnificent star turn as Willy Loman, nearly a dozen impeccable supporting performances, and inspired direction and design by an all-star A Noise Within team add up to as brilliant a revival of Death Of A Salesman as any Arthur Miller aficionado could ever hope to see.
THE LAST FIVE YEARS
Saturday, March 28th, 2026A charismatic Sean Yves Lessard as best-selling novelist Jamie Wellerstein cannot overcome a miscast “Shiksa Goddess,” lackluster direction, and poor sound mixing in Chalomot Productions’ well-intentioned but largely unsuccessful revival of Jason Robert Brown’s The Last Five Years at the Hudson Backstage.
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MONTY PYTHON’S SPAMALOT
Thursday, March 26th, 2026
Monty Python’s Spamalot is back, and the Hollywood Pantages has got it, guaranteeing L.A. audiences not only the wildest, wackiest, and winningest of musical comedy rides but a spectacular new scenic design and even more flashy dancing than the 2005 Broadway original.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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