PANG SPA


Chalk Repertory Theatre returns with its first fully-staged production since 2018’s Death And Cockroaches, an absolutely superb World Premiere staging of David Johann Kim’s mesmerizing Pang Spa.
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MISALLIANCE


George Bernard Shaw fans won’t find a more sparklingly performed or exquisitely designed production of Misalliance than the one now playing at A Noise Within, and even if like me you find Shaw plays overly long and talky, this one’s suddenly zippy second act will have you singing its praises.
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GIRL FROM THE NORTH COUNTRY


A quintessentially Irish playwright and a quintessentially American music legend recall the bleakest days of the Great Depression in the most transcendent of new musicals, Conor McPherson and Bob Dylan’s Tony-winning Girl From The North Country, now touring the U.S. with a three-week stop at Hollywood’s Pantages Theater.
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WHAT THE CONSTITUTION MEANS TO ME

Musical theater star Kelley Dorney captivates without singing a note in What The Constitution Means To Me, Heidi Schreck’s initially entertaining but ultimately long-winded lecture on the U.S. Constitution’s failure to protect the rights of women, people of color, immigrants, Native Americans, and members of the LGBTQ+ community.
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AMERICAN MARIACHI


A half-dozen years after its Old Globe world premiere, José Cruz González’s American Mariachi makes an endlessly entertaining Latino Theater Co. L.A. debut under under José Luis Valenzuela’s incisive direction at the Los Angeles Theatre Center.
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DISNEY’S BEAUTY AND THE BEAST


The Nocturne Theatre makes it four hits in a row with a terrifically crowd-pleasing, family-friendly in-the-round staging of Disney’s Beauty And The Beast.
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CAN’T LIVE WITHOUT ‘EM

How would you like to be trapped in a room with your first wife, your current wife, and the girlfriend neither of them knows about? That’s the dilemma faced by a comatose Thomas Axelrod in Lee Redmond’s Can’t Live Without ‘Em, an amusing World Premiere two-hour sitcom now playing upstairs at the Group Rep that I just might have enjoyed even more without its central conceit.
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DISTRACTIONS AT THE CRASH SITE: SHORT PLAYS BY STEVE YOCKEY

The seven one-acts that comprise Theatre of NOTE’s Distractions At The Crash Site: Short Plays by Steve Yockey are a mixed bag, and even at an intermissionless ninety minutes the West Coast Premiere runs about ten minutes too long, but Yockey fans will enjoy seeing the Wolves/Mercury playwright (and The Flight Attendant showrunner) in short-form mode.
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